Maria Gee-Schweiger 12/1/25 Maria Gee-Schweiger 12/1/25

From "A Spark Ignites" to "Thousands of Sails Set Sail": Micro-Dramas Evolve from Youthful Experiments to Mature Creations

— 3rd Hangzhou Micro-Drama Conference Opens in Linping

On November 11, 2025, the 3rd Hangzhou Micro-Drama Conference opened in Linping, Hangzhou, under the theme “Empowering Industries through Audio-Visual Innovation, Leading Global Expansion with Diverse Creativity.”

Government and enterprise representatives, experts, scholars, and industry pioneers from across China gathered to engage in in-depth discussions on key topics such as high-quality micro-drama production, technology empowerment, and global strategies.

During the opening ceremony, multiple industry achievements and major initiatives were unveiled, injecting new momentum into improving micro-drama content and building a robust ecosystem. The China Netcasting Services Association released the China Micro-Drama Industry Development White Paper (2025), highlighting 10 key trends in micro-drama for 2025 and providing guidance for standardization and quality enhancement in the industry. The Zhejiang Provincial Department of Culture, Radio, Television and Tourism announced a “Micro-Drama + AIGC” recommended list, showcasing innovative practices that integrate the “Poetic Zhejiang” initiative with digital technology. The winners of the 2nd “Great Fortune Arrives” National Online Micro-Drama Scriptwriting Competition were also revealed at the conference.

Linping District, in collaboration with leading platforms and enterprises, officially launched the “Ancient and Modern Canals” premium film and drama creation plan. The initiative aims to build a full-chain empowerment system covering writing, production, investment, broadcasting, and evaluation, nurturing benchmark enterprises and works that combine intellectual depth, artistic value, and market potential.

The event is guided by the China Netcasting Services Association and hosted by the Zhejiang Provincial Department of Culture, Radio, Television and Tourism and the Hangzhou Municipal Propaganda Department. It is organized by the Linping District People’s Government, the Hangzhou Municipal Bureau of Culture, Radio, Television and Tourism, and the Zhejiang Netcasting Services Association.

(Reported by Dou Hanyang)

Appendix:

Introduction to the Nation’s First Micro-Drama Filming Base — “Linying Studio”

Planned jointly by the Linping District People’s Government, Zai Shui Yi Fang, and the “Damei Linzhuo” Fund, and with an investment of nearly 100 million RMB, the modern drama production platform “Linying Studio” is the nation’s first dedicated micro-drama filming base. Since its debut at the end of 2023, Linying Studio has hosted over 800 production teams, leading a wave of industrial ecosystem development in China’s film and television bases and pioneering new production workflows and operational standards.

The base covers a total planned area of 100,000 square meters. Currently, it consists of Phase I and II indoor real-set studios totaling 20,000 square meters, an 8,000-square-meter outdoor street set, a 4,500-square-meter professional studio, and an 1980s-style outdoor real-set area. Supporting facilities within the park include staff dormitories, hotels, restaurants and shopping streets, prop warehouses, post-production studios, digital asset studios, professional training studios for film and TV, and an actors’ guild. These facilities allow for simultaneous work and living accommodations for nearly 1,000 people, enabling fully self-contained production operations within the park.

To date, Linying Studio has hosted over 400 long- and short-form drama projects. It has been recognized as a key provincial audiovisual industry project, received municipal cultural and creative funding, and earned honors such as ranking among the top ten national micro-drama bases in the “Golden Peng Index” and being named an Outstanding Organization at the first Micro-Audiovisual Arts Festival.

(Information provided by Tu Dongdong)

Maria Gee-Schweiger 11/21/25 Maria Gee-Schweiger 11/21/25

The 3rd Hangzhou Micro-Drama Conference Kicks Off in Linping

People’s Daily Client, Zhejiang Channel – Liu Guojun, November 11, 2025, 16:47 | Views: 31,000

On November 11, the 3rd Hangzhou Micro-Drama Conference opened in Linping, Hangzhou, themed “Empowering Industries through Audio-Visual Innovation, Leading Global Expansion with Diverse Creativity.”
Representatives from government and enterprises, experts, scholars, and industry pioneers from across China gathered to engage in in-depth discussions on key topics such as high-quality micro-drama production, technology empowerment, and global strategies.
During the opening ceremony, multiple industry achievements and major initiatives were unveiled, injecting new momentum into the improvement of micro-drama content and ecosystem development. The China Netcasting Services Association released the *China Micro-Drama Industry Development White Paper (2025)*, highlighting 10 key trends in micro-drama for 2025 and providing guidance for industry advancement. The Zhejiang Provincial Department of Culture, Radio, Television and Tourism announced a “Micro-Drama + AIGC” recommended list, showcasing innovative practices that merge “Poetic Zhejiang” with digital technology. The winners of the 2nd “Great Fortune Arrives” National Online Micro-Drama Scriptwriting Competition were also revealed at the conference.
Linping District, in collaboration with leading platforms and enterprises, officially launched the “Ancient and Modern Canals” premium film and drama creation plan. The initiative aims to build a full-chain empowerment system spanning writing, production, investment, broadcasting, and evaluation, nurturing benchmark enterprises and works that combine intellectual depth, artistic value, and market potential.
The event is guided by the China Netcasting Services Association and hosted by the Zhejiang Provincial Department of Culture, Radio, Television and Tourism and the Hangzhou Municipal Propaganda Department. It is organized by the Linping District People’s Government, the Hangzhou Municipal Bureau of Culture, Radio, Television and Tourism, and the Zhejiang Netcasting Services Association.
*Editor: Dou Hanyang*

Maria Gee-Schweiger 11/19/25 Maria Gee-Schweiger 11/19/25

Remarks from Ten Award-Winning Writers at the Film Festival

In the golden autumn of October, Chinese-language creators, filmmakers, screenwriters, writers, tech innovators, and artists from around the world gathered in New York for the 3rd International Chinese Original IP Film Festival and the 1st New York AI International Film Exhibition. On October 18, the awards ceremony was held grandly at a Broadway theater. Nine members of the Chinese Writers Association of America received multiple honors, shining on the international stage. Below are the awards, certificates, winner photos, and their remarks.

Best Original IP Award

Recipient: Jenny Sun — The Sixth Person

Jenny Sun’s Remarks:
"The Best Original IP Award was the last creative award of the evening. Every fellow writer on stage had their moment in the spotlight, and I almost gave up the hope of bringing an award home. Then my name appeared on the big screen. At that moment, I was almost in a daze. When the microphone was handed to me, I even forgot where I was. That mix of surprise and joy felt like a sudden gust of wind, pushing me from my long, solitary writing island back into the bright world. In my rush, I could only manage a few words of thanks.

I am grateful to everyone who devoted their passion and wisdom to the festival, to the judges for their encouragement, and to the friends and family who have silently supported me along the way. Honestly, this award is not just recognition—it’s a push. It reminds me not to doubt the meaning of literary creation, to write down the stories in my heart, and let them grow between light, shadow, and words as a kind of natural experiment. Therefore, this honor is also a call to action, a motivation to keep going."

最佳IP改编奖 Best IP Adaptation Award

李岘 & 张慧玲《键鈕2》Maria Lixian Gee-Schweiger & Janice Huiling Zhang <Number2 > Adaptation & AI Filmmaking

Li Xian’s Remarks：

"Receiving an award on the Broadway stage in New York—twice—was a first in my life. But the real highlight for me on that stage was seeing that ten members of the Chinese Writers Association of America received various awards.

Dreams coming true are never mere coincidences. They are the accumulation of time and the steadfastness of belief. Our association members are connected by literature, and this year’s IP Film Festival brought us together in New York. In gratitude, I must acknowledge Sunny Zhang, Chief Planner of the International Chinese Original IP Film Festival, who over the past three years has single-handedly led the team to turn an idea into a bridge across regions and languages—from Vancouver to Boston, and now New York—creating a constellation where literature and cinema shine together overseas.

I am delighted to have had the opportunity to participate in the forums and discuss the relationship between AI and literature with fellow creators, and even more thrilled to have hosted the inaugural launch of World Chinese Literature during the festival.

Although we are now far from the Broadway stage lights, the light of literature and film in our hearts will guide us through crowds and time, inspiring us to create more luminous works of storytelling and cinema."

Zhang Huiling’s Remarks:

"Debating through light and shadow has long ceased to be a dream of Mount Hua, and I have forgotten which blade I was meant to hone over the past ten years. The vastness of daily life, filled with worldly duties and quiet joys, occasionally allows literature and art to flash briefly—often after a drink—resonating with that restless longing deep in the blood.

Every act of writing is a form of practice, a search for a way through the crevices of inner struggles. It was through this journey that I found an organization—the honor of joining the Chinese Writers Association of America and participating in the Original IP Film Festival. Last year’s trip to Boston was immensely rewarding; I marveled at the organizers’ keen vision, gathering elites at Harvard to discuss the future of AI cinema. At that time, only writer Binghe was experimenting alone. This year, numerous writers showcased AI works in New York, thanks largely to Sunny Zhang and her team.

This time, I collaborated with Chair Li Xian on the AI short film Number 2: Adaptation & AI Filmmaking, once again experiencing the heat and pain brought forth by light and shadow. That awakened creativity feels like a rebirth of the soul.

I look forward to next year—returning to the Mount Hua of light and shadow, and once more wielding the sword within my heart."

Best Theme Idea Award

Recipient: Fei Liu — Mother’s Diamond Ring

Fei Liu’s Remarks:
*"Meeting in New York in the golden autumn was truly a pleasure. In just four short days, we experienced so many unforgettable moments. We spent two days on a beautiful New York journey—walking along Central Park with fellow writers, sharing the autumn sunshine. We strolled through SoHo, enjoyed coffee under the Brooklyn Bridge, and took photos in front of Manhattan landmarks, museums, galleries, and historic buildings like Grand Central Terminal. At the Flushing Library, we were honored to witness the inaugural launch of World Chinese Literature. Days like these are truly precious!

The festival may have concluded, but the creative dreams in our hearts seem just beginning! I am deeply happy to receive an award at this year’s AI Film Festival. Holding the Golden Bull Award, I feel immense gratitude to the organizers for their hard work, and to the CWAA members who persistently pursue their passions, sharing their literary works and creations. I feel that this festival is not only a celebration of awards but also a source of encouragement for one’s own creative journey—an opportunity to further develop writing and explore AI-assisted creation.

I sincerely hope that the CWAA continues to strive forward, achieving even greater brilliance at the 4th IP Film Festival next year!"*

Best Theme Idea Award

Recipient: Deliang Shi — Touch

**Deliang Shi’s Remarks:**
"I have been to New York many times and watched shows on Broadway several times, but I never imagined I would one day stand on a Broadway stage to receive an award. Winning the Best Theme Idea Award was a tremendous surprise and encouragement for me. I also wonder if I might be the first engineer with a PhD to receive an award on Broadway.
Since attending the **1st International Chinese Original IP Film Festival** in Vancouver three years ago, I participated in the Boston festival last year, and this year’s New York festival marks my third time. Over these three festivals, I have personally witnessed the growth and maturity of the International Chinese Original IP Film Festival. The forums and the genuinely insightful presentations by guests have been eye-opening, even for someone like me who considers himself an AI expert.
I am grateful to the organizing committee for creating new opportunities for international Chinese-language IP in the age of artificial intelligence. I look forward to the festival growing even stronger and hope to reunite with friends next year."

最受大众欢迎作品奖 Most Popular Work Award

钟梅《愿望素》Mei Zhong 《Wishware》

Mei Zhong’s Remarks:

"In the golden autumn of October, I set off from Wuhan, traveling through Guangzhou and Los Angeles for thirty hours before arriving in Portland. After a brief stay, I hurried to New York. Upon arriving, the excitement of meeting everyone immediately eased the fatigue and jet lag. Our group of writers strolled across the Brooklyn Bridge, Central Park, and the SoHo art district, experiencing both the relaxation and vibrancy of New York; we also explored Wall Street, Fifth Avenue, and Grand Central Terminal, soaking in the city’s bustling energy. Yet, at the 9/11 Memorial Pools, it felt as if the noise had been muted, leaving a profound, lingering stillness in my heart.
The festival slowly unfolded, and I especially enjoyed the masterclass and the four forums, gaining invaluable insights from experts and industry professionals. The dinner at the apartment near the Empire State Building and the awards ceremony at Broadway were thrilling experiences. Winning an award on this trip was not only a delightful surprise but also an incredible honor, filling me with gratitude and appreciation.
Liveliness and serenity, clamor and calm—this is the rhythm of New York, and the rhythm of life.
Farewell, New York; farewell, Film Festival."

Grand Launch of World Chinese Literature in New York

The inaugural issue of the international literary journal World Chinese Literature, organized by the Chinese Writers Association of America (CWAA), was officially launched on October 18, 2025, at the Queens Library Theater in New York. The event included a ceremonial ribbon-cutting and a book giveaway.

This event was part of the International Forum of the 3rd International Chinese Original IP Film Festival, hosted by Ms. Shen Yimeng, the forum’s chief moderator. Nearly one hundred writers and experts attending the festival witnessed this historic moment.

In his speech, Dr. Li Xian, CWAA President and Editor-in-Chief of World Chinese Literature, explained: World Chinese Literature is currently an annual journal, with each issue containing approximately 250,000 words and focusing on a specific literary form. The inaugural issue, titled the “Micro-Drama Edition,” includes four micro-drama scripts of 60 episodes each, 23 story synopses with professional critiques from the “CWAA Cup: 1st Global Micro-Drama Literary Script Competition,” and four scholarly articles on micro-dramas written by senior researchers of the World Micro-Drama Research Association.

Six editorial board members, three CWAA members attending the festival, and several authors from the inaugural issue joined the stage to witness the launch of World Chinese Literature, marking a significant milestone in the journal’s debut.

At the launch ceremony, Ms. Cao Xiaodong, Secretary-General of the 3rd International Chinese Original IP Film Festival and renowned international film producer, said:

"Today, we witness the debut of World Chinese Literature, a joyous occasion for the field of Chinese-language literature. Its launch is not merely the birth of a publication, but also a new bridge connecting Chinese communities worldwide and carrying forward Chinese culture. I sincerely hope that World Chinese Literature will cultivate the fertile ground of written expression, gather the finest global Chinese-language creations, warm hearts with excellent works, and inspire reflection. May it blossom into a vibrant new flower in the garden of Chinese literature! I also look forward to more colleagues and readers paying attention, supporting it, and jointly writing a new chapter in Chinese-language literature."

Ms. Chen Ruilin, CWAA advisor and overseas Chinese literature critic, remarked:
"First, I have long hoped that North America would have such a magazine, one that facilitates exchange among writers worldwide. I also sincerely thank the Chinese Writers Association of America for accomplishing this remarkable endeavor. I congratulate this journal and wish it every success!"

Mr. Zhang Ci, author of the inaugural issue, Hollywood screenwriter, and producer, said:
"I am deeply impressed by Dr. Li Xian’s leadership and dedication. I have never met someone so tough and committed, producing such a professional journal. Winning awards is secondary—the launch of this magazine, as Ms. Chen and Ms. Cao have said, represents a transformative moment for North American Chinese literature. Now it is up to AI to turn these stories into films."

Due to time constraints, not all speakers on stage could deliver remarks. Dr. Li Xian, Editor-in-Chief, and Ms. Chen Xi, Director of the Queens Library, jointly lifted the red cloth covering the World Chinese Literature poster, bringing the launch ceremony to its climax and completing the book-giving ceremony. Amid enthusiastic applause, sixteen editorial board members and authors from the inaugural issue took a commemorative group photo on stage. With interactive participation from the audience, everyone together wished World Chinese Literature continued success and a brilliant future!

Amid the cheers and well-wishes, all 60 copies of World Chinese Literature purchased by the 3rd International Chinese Original IP Film Festival were quickly snapped up. Those who missed out expressed their regret, promising to purchase the journal on Amazon.

During the brief launch ceremony, Editor-in-Chief Dr. Li Xian, on behalf of the editorial board, thanked the festival organizers for facilitating the debut of World Chinese Literature at such a prominent moment.

In a post-event interview, Dr. Li explained:

"The inaugural issue is themed the ‘Micro-Drama Edition,’ reflecting the recent rapid rise of micro-dramas globally, which are highly condensed, cross-media, and carry a strong sense of the times. Through examining the unique value of micro-dramas in terms of media, structure, and narrative, we hope to provide a theoretical response to practice and help readers understand the characteristics and development prospects of micro-dramas as an emerging literary form."

She further introduced the strong advisory board of World Chinese Literature, composed of 23 experts in global Chinese-language literature, listed in Pinyin order:

Bai Yang – Professor, Jinan University; President, Chinese World Literature Society
Bai Shurong – Executive Editor-in-Chief, Wenzong Magazine, Hong Kong; Vice President, World Chinese Literature Federation
Chen Gongzhong – Professor, School of Humanities, Nanchang University; Honorary Vice President, Chinese World Literature Society
Chen Ruilin – Overseas Chinese literature critic; President, Euro-American Film and Television Association
Fan Luoping – Professor, School of Literature, Zhengzhou University
Jiang Shuzhuo – Professor, School of Literature, Jinan University; Former President, Guangdong Writers Association
Jiang Lin – Professor, Sichuan International Studies University; Editor-in-Chief, Asia-Pacific Journal
Jin Jin – Researcher, School of Literature, Zhejiang University; Editor-in-Chief, Chinese Literature and Culture Series
Jiang Shaochuan – Professor, School of Literature, Central China Normal University
Ling Dingnian – President, World Chinese Microfiction Research Association
Li Liang – Researcher, Jiangsu Academy of Social Sciences; Editor-in-Chief, World Chinese Literature Forum
Liang Lifang – Professor, University of Alberta; President, Canadian Chinese Writers Association
Liu Lirong – Professor, San Diego State University; Editor-in-Chief, Chinese Monthly (USA)
Wang Zongfa – Professor, School of Literature, Anhui University; Former Vice President, Anhui Association of Literary Critics
Wang Zuyou – Professor, Taizhou University; Former Dean, School of Foreign Languages, Taizhou University
Wang Hailan – Professor of Chinese, Nihon University; Former President, Japanese Chinese Writers Association
Yang Jilan – Former Vice President, Fujian Writers Association; Editor-in-Chief, Taiwan-Hong Kong Literature Anthology
Yan Xianghong (pen name Anjing) – Editor-in-Chief, European Chinese Literature Anthology
Zheng Nanchuan – Overseas Chinese literature critic; Former President, Chinese Writers Association of Quebec, Canada
Zhuang Weijie – President and Editor-in-Chief, Chinese Literature Journal
Zhang Feng – Harvard Yenching Library, Harvard China Culture Workshop
Zhang Juan – Professor, School of Humanities, Southeast University; Member, Chinese Novel Society
Zhang Yihong – President and Editor-in-Chief, Asia-Pacific Literature (Hong Kong)

The editorial team for this issue includes: Editor-in-Chief Li Xian, Deputy Editor Liu Yun, Managing Editors Zhong Mei and Liu Fei, Head of Digital Department Wen Hao, Head of Finance Tan Ruiqin, Head of Liaison Shi Deliang, Head of Art Department Owen Li Gee, and Head of Distribution Liu Yalan.

Chinese-language writers’ associations from around the world also sent congratulatory messages. Leaders including Zhang Aolie, President of the International New Immigrant Chinese Writers Society; Sun Dean, President of the World Chinese Writers Association; Chen Haoquan, Honorary President of the Chinese Writers Association of Canada; Meng Na, President of the European New Immigrant Chinese Writers Association; Hua Chun, President of the Japanese Chinese Women Writers Association; Wu Lingyi, President of the Australian Chinese Writers Association; Zhang Jinfan, Honorary President of the New South Wales Chinese Writers Association (Australia); Feng Yu, President of the Canada Greater China Writers Society; Sun Bo, President of the Canada China Writers Society; and Lin Denan and Liu Ruijin, Honorary Presidents of the Singapore Writers Association, all expressed high praise for the inaugural issue of World Chinese Literature.

Additionally, advisory board members of the CWAA—including Wang Zhiming, Lü Hong, Zeng Xiaowen, Guo Xi, Jia Fei, Li Fanyu, and Yu Huifen—sent congratulatory letters celebrating the association’s continued growth and achievements over the past decade.

In the foreword titled “Breaking New Ground on the Map of World Literature” of the inaugural issue, Dr. Li Xian, President of the Chinese Writers Association of America (CWAA) and Editor-in-Chief of World Chinese Literature, wrote:

"We are fully aware that founding a literary journal overseas is no easy task. The migration of language, the fluidity of culture, and limited resources make this endeavor inherently challenging. Yet we firmly believe that literature is a universal language that transcends borders and a long-term endeavor worthy of dedication. The realization of this cultural ideal would not be possible without the support and encouragement of friends from all walks of life who share a humanistic spirit and a commitment to public good."

She expressed special gratitude to the leaders of East West Bank and Vice President Ms. Yang Xia for their strong support of the inaugural issue. She also thanked experts and scholars from the global Chinese-language literary community for their moral encouragement, and the editorial board members who volunteered their professional knowledge and time.

"We hope that World Chinese Literature will serve not only as a platform for publishing texts but also as a space for ideas and cultural connection—engraving thoughts of the diaspora while responding to ties with the homeland; inspiring the joy of integration while documenting the shared flame of culture. We sincerely invite Chinese-language writers, literature enthusiasts, and scholars worldwide to join us, hand in hand, to break new ground on the map of world literature."

Finally, on October 18, 2025, the inaugural issue of World Chinese Literature, the “Micro-Drama Edition,” was officially launched in a grand ceremony in New York.

(*Group photo of some editorial board members of* **World Chinese Literature**. From right: **Managing Editor Liu Fei**, **Head of Liaison Shi Deliang**, **Head of Digital Department Wen Hao**, **President & Editor-in-Chief Li Xian**, **Managing Editor Zhong Mei**, **Head of Distribution Liu Yalan**.)

Click the video link to watch the full ceremony：https://www.bilibili.com/video/BV14vsCz1EE6/?vd_source=529e269d7cc6736762dc5717465ee641

Subscribe on Amazon：https://a.co/d/b5ouYJ4

Stay tuned for the 2026 “Prose Edition” call for submissions of World Chinese Literature.

Reported by the Editorial Team of World Chinese Literature

Maria Gee-Schweiger 11/18/25 Maria Gee-Schweiger 11/18/25

3rd International Chinese Original IP Film Festival

2025 Global AI Film Festival – New York

American Chinese Writers Association Achieves Remarkable Success

In October 2025, Chinese-language creators, filmmakers, screenwriters, writers, tech innovators, and artists from around the world gathered in New York for the 3rd International Chinese Original IP Film Festival. Under the theme “Originality at the Core, Technology as the Wings,” this year’s festival marked a new era for cinematic arts amid the growing wave of artificial intelligence.

The festival presented a rich array of events, including masterclasses, high-level forums, the opening reception, and an awards gala—creating a dynamic international platform for cross-disciplinary collaboration and creative exchange. Highlights also included the global launch of World Chinese Literature, an international journal, and the debut of the World Micro-Drama Research Association.

On October 18, the awards gala was grandly held at the Broadway Theater in New York. Accompanied by an impressive performance by “The Amazing Second-Generation Chinese,” the major awards were announced one after another. Ten members of the American Chinese Writers Association received honors, marking an exceptional year of achievements.

Below is the full report on the film festival.

(Film Festival Poster and Organizing Committee)

The Golden Bull Award trophy of this year’s film festival was meticulously designed by Dr. Ellen Qiong Zhao. Symbolizing perseverance, creativity, and prosperity, the trophy was presented to 26 recipients from around the world in recognition of their outstanding achievements and artistic contributions in IP + AI innovation.

New York State Assemblyman Ron Kim awarded honorary certificates to the film festival and the Long Teng Cultural Development Foundation.

(From right to left: Festival Secretary-General **Xiaodong Cao**; Festival Chief Planner **Sunny Zhang**; Festival Vice Chair **Professor Yuhua Zhu**; Advisory Board Chair **Dr. Ellen Qiong Zhao**; Festival Chair **Bill Einreinhofer**; New York State Assemblyman **Ron Kim**; Former New York State Assemblywoman **Ellen Young**; Festival Executive President and Gala Director **Jie Cui**.)

Masterclass Dialogue at the New York Film Academy

On the morning of October 17, the festival’s Masterclass was held at the New York Film Academy. Centered on the theme “Technology Empowering Creativity · IP Connecting the Future,” the session opened with remarks by Shirley Hon. Led by three-time Emmy Award winner Professor Bill Einreinhofer, the Masterclass brought together several internationally renowned filmmakers to share their creative insights. Distinguished guests included international producer and director Professor Xiaodong Cao, Deputy Dean of the Beijing Film Academy and director Sun Lijun, as well as Hollywood screenwriter and director Shiao-ai Chi.

Guided by the questions raised by moderator Shirley Hon, the four esteemed experts engaged in an in-depth discussion on innovative applications of AI in literary creation, script adaptation, and film production. Professor Yuhua Zhu, Vice President of the New York Film Academy and Vice Chair of the Film Festival, delivered remarks and presented honorary certificates and commemorative gifts to the speakers. The event was lively and inspiring, showcasing the dynamic interplay of technology and artistry in shaping a new cinematic era. Michael Young, President of the New York Film Academy, also attended to offer his congratulations.

(From right to left: Moderator **Shirley Hon**; Professor **Sun Lijun**, Deputy Dean of the Beijing Film Academy; Hollywood Chinese-American director **Shiao-ai Chi**; New York Film Academy professor **Bill Einreinhofer**; and guest international producer **Xiaodong Cao**.)

Global AI Visual Creativity Alliance Officially Established

(From left to right: Festival Chief Planner **Sunny Zhang**, Secretary-General **Xiaodong Cao**, Advisory Board Chair **Dr. Ellen Qiong Zhao**, Moderator **Sisi Cao**, Moderator **Livia Pillmann**.)

Grand Opening Gala and Launch of the Global AI Visual Creativity Alliance

On the evening of October 17, a lavish opening gala was held at The Central, a luxury apartment clubhouse across from the Empire State Building, attended by approximately 180 distinguished guests. The event was star-studded, brimming with elegance and glamour.

The festival was chaired by three-time Emmy Award winner Professor Bill Einreinhofer, with Dr. Yuhua Zhu, Executive Vice President of the New York Film Academy, serving as Vice Chair. Renowned Hollywood Chinese-American director Shiao-ai Chi presided over the jury, and acclaimed sculptor Dr. Ellen Qiong Zhao served as Chair of the Advisory Board. Festival image ambassador Li Shanglong represented the event, while young second-generation Chinese talent Pan Meibel made a special appearance on stage.

Chief Planner Sunny Zhang, Secretary-General Xiaodong Cao, and Executive Chair Jie Cui delivered speeches to officially announce the establishment of the Global AI Visual Creativity Alliance. They also revealed that the Alliance’s first AI-driven film, The Classic of Mountains and Seas: Chaos, is set to begin production soon. During the gala, Secretary-General Xiaodong Cao presented a 3D Golden Bull to Advisory Board Chair Dr. Ellen Qiong Zhao on behalf of the organizing committee as a token of gratitude.

High-Level Summit on AI and Intellectual Property

(From right to left: Moderator **Yimeng Shen**; Guests **Sun Jia** and **Lin Yudi**.)

On the morning of October 18, the theater at the Flushing Library was filled to capacity. Moderator Yimeng Shen opened the session by inviting Professor Yuhua Zhu, Vice Chair of the New York Film Festival, and library representatives to deliver opening remarks, officially inaugurating the “AI and IP” Summit Forum. Following Professor Zhu’s keynote, the forum commenced with an in-depth discussion among experts on “Breaking Through in Film in the AI Era”, exploring the symbiotic relationship between technological empowerment and humanistic expression. Professor Sun Lijun showcased the AI-animated work Huangtupo, which received enthusiastic responses from the audience.

Under the theme “When Gen Z Becomes the Creative Force, AI Redefines ‘Youth’”, young creatives Zhang Jia, Zhang Han, and Lin Yudi shared their insights and hands-on experiences in artistic creation in the AI era.

Director Gao Feng, Founder and CEO of Love Journey, delivered a keynote speech analyzing how AI is reshaping film and television production from a creator’s perspective. He also discussed future trends under the theme “The Past, Present, and Future of North American Short-Form Dramas.”

Bestselling author Li Shanglong held a dialogue with AI visual artist Binghe on the theme “The One-Person Company in the AI Era,” exploring how AI is disrupting traditional film and television systems and offering pathways for independent and small-scale creators to break through.

(From right to left: Moderator **Yimeng Shen**; Guests **Li Shanglong** and **Binghe**.)

Moderator Sisi Cao led a discussion with guests Bill Einreinhofer, William Harlam, Huang Bing, Zhang Ci, and others on “The Challenges of AI to Hollywood.” The conversation analyzed AI’s impact from multiple dimensions, spanning industry mechanisms to creative innovation.

(From right to left: Moderator **Sisi Cao**; Guests **Huang Bing**, **William Harlam**, and **Zhang Ci**.)

Overseas critic Chen Ruilin, serving as moderator, led a discussion with guests Shi Wei, Li Xian, Pu Ruoxi, Shi Deliang, and other writers on “Challenges and Opportunities for Chinese-Language Writers in the AI Era.” The forum explored the artistic boundaries of AI-assisted writing and the expansion of literary spirit.

(From right to left: Moderator **Chen Ruilin**; Guests **Shi Wei**, **Li Xian**, **Pu Ruoxi**, and **Shi Deliang**.)

International Journal Makes a Grand Debut

The international literary journal World Chinese Literature (世华文学), hosted by the Chinese Writers Association of America (CWAA), held its inaugural launch during the film festival. Fifteen people, including editorial board members and contributing authors of the inaugural issue, as well as attending CWAA members, participated in the ribbon-cutting ceremony.

Dr. Li Xian, Chair of the Chinese Writers Association of America and Editor-in-Chief of World Chinese Literature, expressed gratitude to the festival organizing committee for this invaluable opportunity. He introduced the inaugural issue’s “Micro-Drama Section”, highlighting the journal’s mission to promote Chinese-language literature across regions and cultural contexts, showcasing the diversity and depth of contemporary Chinese writing.

Remarks were also made by Secretary-General Xiaodong Cao, international film producer; Chen Ruilin, renowned overseas Chinese literary critic and journal advisor; and Zhang Ci, Hollywood producer and screenwriter, all affirming the journal’s significant role in advancing Chinese-language literature in North America and globally.

Under the witness of nearly 100 people both on and off stage, Editor-in-Chief Li Xian and Chen Xi, Director of the Queens Library in New York, cut the ribbon for World Chinese Literature amid enthusiastic applause. The 60 complimentary copies purchased by the festival organizing committee were snapped up instantly.

*World Chinese Literature* Officially Debuts

(Dr. Li Xian, Editor-in-Chief of ***World Chinese Literature***, and Ms. Chen Xi, Director of the Queens Library in New York, unveil the journal.)

(From right to left: Yimeng Shen, Wen Hao, Shi Deliang, Li Xian, Chen Ruilin, Xiaodong Cao, Fu Shuixian, Liu Yalan, Zhang Huiling, Jannie, Zhong Mei, Liu Fei, Zhang Ci, Guo Xiaojuan, Liu Shaoyong.)

*World Chinese Literature* Launch Poster

Watch the inaugural launch live via this link.：https://www.bilibili.com/video/BV14vsCz1EE6/?vd_source=529e269d7cc6736762dc5717465ee641

World Micro-Drama Research Association Makes Its Debut at the Film Festival

During the film festival, Dr. Li Xian, President of the World Micro-Drama Research Association (WMDRA), presented certificates to core members of the association attending the event.

Registered in the United States, the WMDRA is an international academic organization dedicated to the study and promotion of micro-dramas in artistic creation, cross-disciplinary collaboration, and global dissemination. Conducting activities primarily in Chinese and English, the association brings together leading experts from film, artificial intelligence, and digital culture to explore the narrative potential and cultural significance of micro-dramas in the digital era.

World Micro-Drama Research Association Website：https://www.worldmicrodramas.com/

(From right to left: Website Director **Shi Deliang**, Website Editor **Yalan**, President **Li Xian**, Researcher **Xiaodong Cao**, Secretary-General **Zhong Mei**.)

Spectacular Awards Ceremony on Broadway, New York

Awards Gala at Broadway, New York

The awards gala was grandly held at a Broadway theater in New York. The event featured a captivating performance by “The Amazing Second-Generation Chinese,” blending dance, music, and visual arts to showcase youthful energy and creative vitality. During the opening ceremony, a special tribute was paid to the late filmmaker Zhao Dan, honoring his outstanding achievements and lasting influence in Chinese-language cinema, reflecting the festival’s respect and commemoration of pioneering artists.

The top award of this year’s festival went to Life of Luosang by Lu Wei and Zhang Guodong. The film, with its profound humanistic care and delicate narrative style, deeply moved the audience and received unanimous praise from both judges and viewers.

Professor Yuhua Zhu, Vice Chair of the festival, together with Hollywood agent William Harlam, presented the award to the film’s representatives.

(Professor Yuhua Zhu, Vice Chair of the Film Festival (far left), and Hollywood agent **William Harlam** present the award to the film’s representatives.)

The Festival Special Award was presented to Ms. Shi Wei and Ms. Chen Ruilin, both literary advisors to the festival and founding members, in recognition of their outstanding contributions to promoting Chinese-language original IP films and fostering cross-cultural exchange.

(From left to right: Festival Chief Planner **Sunny Zhang** presenting the Festival Special Contribution Awards to renowned writer and literary critic **Chen Ruilin** and writer and poet **Shi Wei**.)

**Most Promising Investment Award:** Each recipient received **$10,000 in startup funding** for their film or media company.

**Best IP Adaptation Award:**
*(Award presenter: Director* ***Shiao-ai Chi****, from left. Award recipients (from left to right):* ***Zhou Qianqi***, ***Zhang Ci***, ***Zhang Huiling***, ***Li Xian***, ***Zhu Xinhang****; award presenter* ***Hugo Arenas***.)

(From left to right: **Nan Lin**, **Liu Fei**, **Guo Xiaojuan**, **Shi Deliang**, **Zhao Siyuan**; Award presenters: **Hugo Arenas**, **William Harlam**.)

**Best Original IP Award:**
*(Award recipients:* ***Jannie*** *(second from left),* ***Sha Shi*** *(center),* ***Yimeng Shen*** *(second from right); Award presenters:* ***Chen Ruilin*** *(far left),* ***Shi Wei*** *(far right).)*

**The Festival’s “Most Heartwarming Award”** was presented to the champion Shiba Inu **Yuanbao**, who has competed alongside world champions in numerous international tennis tournaments, earning recognition as a true canine star.

(**Jie Cui**, Executive President of the 3rd International Chinese Original IP Film Festival (right), presents a certificate to **Zhang Ci**, Executive President of the 4th edition.)

Closing Ceremony

Chinese-American elites presented honorary certificates to The Amazing Second-Generation Chinese, symbolizing “balancing cultural heritage with innovation.”

Sunny Zhang stated:
"In the AI era, we will continue to promote overseas Chinese-language IP and AI-driven films, providing a broader stage for global Chinese-language creators to showcase their talents. We aim to bring Chinese original works to the world and ensure that stories in the age of technology retain a human touch."

The festival concluded successfully, heralding a new chapter in the fusion of Chinese-language originality and artificial intelligence under the New York sky.