Maria Gee-Schweiger 12/1/25 Maria Gee-Schweiger 12/1/25

From "A Spark Ignites" to "Thousands of Sails Set Sail": Micro-Dramas Evolve from Youthful Experiments to Mature Creations

— 3rd Hangzhou Micro-Drama Conference Opens in Linping

On November 11, 2025, the 3rd Hangzhou Micro-Drama Conference opened in Linping, Hangzhou, under the theme “Empowering Industries through Audio-Visual Innovation, Leading Global Expansion with Diverse Creativity.”

Government and enterprise representatives, experts, scholars, and industry pioneers from across China gathered to engage in in-depth discussions on key topics such as high-quality micro-drama production, technology empowerment, and global strategies.

During the opening ceremony, multiple industry achievements and major initiatives were unveiled, injecting new momentum into improving micro-drama content and building a robust ecosystem. The China Netcasting Services Association released the China Micro-Drama Industry Development White Paper (2025), highlighting 10 key trends in micro-drama for 2025 and providing guidance for standardization and quality enhancement in the industry. The Zhejiang Provincial Department of Culture, Radio, Television and Tourism announced a “Micro-Drama + AIGC” recommended list, showcasing innovative practices that integrate the “Poetic Zhejiang” initiative with digital technology. The winners of the 2nd “Great Fortune Arrives” National Online Micro-Drama Scriptwriting Competition were also revealed at the conference.

Linping District, in collaboration with leading platforms and enterprises, officially launched the “Ancient and Modern Canals” premium film and drama creation plan. The initiative aims to build a full-chain empowerment system covering writing, production, investment, broadcasting, and evaluation, nurturing benchmark enterprises and works that combine intellectual depth, artistic value, and market potential.

The event is guided by the China Netcasting Services Association and hosted by the Zhejiang Provincial Department of Culture, Radio, Television and Tourism and the Hangzhou Municipal Propaganda Department. It is organized by the Linping District People’s Government, the Hangzhou Municipal Bureau of Culture, Radio, Television and Tourism, and the Zhejiang Netcasting Services Association.

(Reported by Dou Hanyang)

Appendix:

Introduction to the Nation’s First Micro-Drama Filming Base — “Linying Studio”

Planned jointly by the Linping District People’s Government, Zai Shui Yi Fang, and the “Damei Linzhuo” Fund, and with an investment of nearly 100 million RMB, the modern drama production platform “Linying Studio” is the nation’s first dedicated micro-drama filming base. Since its debut at the end of 2023, Linying Studio has hosted over 800 production teams, leading a wave of industrial ecosystem development in China’s film and television bases and pioneering new production workflows and operational standards.

The base covers a total planned area of 100,000 square meters. Currently, it consists of Phase I and II indoor real-set studios totaling 20,000 square meters, an 8,000-square-meter outdoor street set, a 4,500-square-meter professional studio, and an 1980s-style outdoor real-set area. Supporting facilities within the park include staff dormitories, hotels, restaurants and shopping streets, prop warehouses, post-production studios, digital asset studios, professional training studios for film and TV, and an actors’ guild. These facilities allow for simultaneous work and living accommodations for nearly 1,000 people, enabling fully self-contained production operations within the park.

To date, Linying Studio has hosted over 400 long- and short-form drama projects. It has been recognized as a key provincial audiovisual industry project, received municipal cultural and creative funding, and earned honors such as ranking among the top ten national micro-drama bases in the “Golden Peng Index” and being named an Outstanding Organization at the first Micro-Audiovisual Arts Festival.

(Information provided by Tu Dongdong)

Maria Gee-Schweiger 11/21/25 Maria Gee-Schweiger 11/21/25

The 3rd Hangzhou Micro-Drama Conference Kicks Off in Linping

People’s Daily Client, Zhejiang Channel – Liu Guojun, November 11, 2025, 16:47 | Views: 31,000

On November 11, the 3rd Hangzhou Micro-Drama Conference opened in Linping, Hangzhou, themed “Empowering Industries through Audio-Visual Innovation, Leading Global Expansion with Diverse Creativity.”
Representatives from government and enterprises, experts, scholars, and industry pioneers from across China gathered to engage in in-depth discussions on key topics such as high-quality micro-drama production, technology empowerment, and global strategies.
During the opening ceremony, multiple industry achievements and major initiatives were unveiled, injecting new momentum into the improvement of micro-drama content and ecosystem development. The China Netcasting Services Association released the *China Micro-Drama Industry Development White Paper (2025)*, highlighting 10 key trends in micro-drama for 2025 and providing guidance for industry advancement. The Zhejiang Provincial Department of Culture, Radio, Television and Tourism announced a “Micro-Drama + AIGC” recommended list, showcasing innovative practices that merge “Poetic Zhejiang” with digital technology. The winners of the 2nd “Great Fortune Arrives” National Online Micro-Drama Scriptwriting Competition were also revealed at the conference.
Linping District, in collaboration with leading platforms and enterprises, officially launched the “Ancient and Modern Canals” premium film and drama creation plan. The initiative aims to build a full-chain empowerment system spanning writing, production, investment, broadcasting, and evaluation, nurturing benchmark enterprises and works that combine intellectual depth, artistic value, and market potential.
The event is guided by the China Netcasting Services Association and hosted by the Zhejiang Provincial Department of Culture, Radio, Television and Tourism and the Hangzhou Municipal Propaganda Department. It is organized by the Linping District People’s Government, the Hangzhou Municipal Bureau of Culture, Radio, Television and Tourism, and the Zhejiang Netcasting Services Association.
*Editor: Dou Hanyang*

Maria Gee-Schweiger 11/19/25 Maria Gee-Schweiger 11/19/25

Remarks from Ten Award-Winning Writers at the Film Festival

In the golden autumn of October, Chinese-language creators, filmmakers, screenwriters, writers, tech innovators, and artists from around the world gathered in New York for the 3rd International Chinese Original IP Film Festival and the 1st New York AI International Film Exhibition. On October 18, the awards ceremony was held grandly at a Broadway theater. Nine members of the Chinese Writers Association of America received multiple honors, shining on the international stage. Below are the awards, certificates, winner photos, and their remarks.

Best Original IP Award

Recipient: Jenny Sun — The Sixth Person

Jenny Sun’s Remarks:
"The Best Original IP Award was the last creative award of the evening. Every fellow writer on stage had their moment in the spotlight, and I almost gave up the hope of bringing an award home. Then my name appeared on the big screen. At that moment, I was almost in a daze. When the microphone was handed to me, I even forgot where I was. That mix of surprise and joy felt like a sudden gust of wind, pushing me from my long, solitary writing island back into the bright world. In my rush, I could only manage a few words of thanks.

I am grateful to everyone who devoted their passion and wisdom to the festival, to the judges for their encouragement, and to the friends and family who have silently supported me along the way. Honestly, this award is not just recognition—it’s a push. It reminds me not to doubt the meaning of literary creation, to write down the stories in my heart, and let them grow between light, shadow, and words as a kind of natural experiment. Therefore, this honor is also a call to action, a motivation to keep going."

最佳IP改编奖 Best IP Adaptation Award

李岘 & 张慧玲《键鈕2》Maria Lixian Gee-Schweiger & Janice Huiling Zhang <Number2 > Adaptation & AI Filmmaking

Li Xian’s Remarks：

"Receiving an award on the Broadway stage in New York—twice—was a first in my life. But the real highlight for me on that stage was seeing that ten members of the Chinese Writers Association of America received various awards.

Dreams coming true are never mere coincidences. They are the accumulation of time and the steadfastness of belief. Our association members are connected by literature, and this year’s IP Film Festival brought us together in New York. In gratitude, I must acknowledge Sunny Zhang, Chief Planner of the International Chinese Original IP Film Festival, who over the past three years has single-handedly led the team to turn an idea into a bridge across regions and languages—from Vancouver to Boston, and now New York—creating a constellation where literature and cinema shine together overseas.

I am delighted to have had the opportunity to participate in the forums and discuss the relationship between AI and literature with fellow creators, and even more thrilled to have hosted the inaugural launch of World Chinese Literature during the festival.

Although we are now far from the Broadway stage lights, the light of literature and film in our hearts will guide us through crowds and time, inspiring us to create more luminous works of storytelling and cinema."

Zhang Huiling’s Remarks:

"Debating through light and shadow has long ceased to be a dream of Mount Hua, and I have forgotten which blade I was meant to hone over the past ten years. The vastness of daily life, filled with worldly duties and quiet joys, occasionally allows literature and art to flash briefly—often after a drink—resonating with that restless longing deep in the blood.

Every act of writing is a form of practice, a search for a way through the crevices of inner struggles. It was through this journey that I found an organization—the honor of joining the Chinese Writers Association of America and participating in the Original IP Film Festival. Last year’s trip to Boston was immensely rewarding; I marveled at the organizers’ keen vision, gathering elites at Harvard to discuss the future of AI cinema. At that time, only writer Binghe was experimenting alone. This year, numerous writers showcased AI works in New York, thanks largely to Sunny Zhang and her team.

This time, I collaborated with Chair Li Xian on the AI short film Number 2: Adaptation & AI Filmmaking, once again experiencing the heat and pain brought forth by light and shadow. That awakened creativity feels like a rebirth of the soul.

I look forward to next year—returning to the Mount Hua of light and shadow, and once more wielding the sword within my heart."

Best Theme Idea Award

Recipient: Fei Liu — Mother’s Diamond Ring

Fei Liu’s Remarks:
*"Meeting in New York in the golden autumn was truly a pleasure. In just four short days, we experienced so many unforgettable moments. We spent two days on a beautiful New York journey—walking along Central Park with fellow writers, sharing the autumn sunshine. We strolled through SoHo, enjoyed coffee under the Brooklyn Bridge, and took photos in front of Manhattan landmarks, museums, galleries, and historic buildings like Grand Central Terminal. At the Flushing Library, we were honored to witness the inaugural launch of World Chinese Literature. Days like these are truly precious!

The festival may have concluded, but the creative dreams in our hearts seem just beginning! I am deeply happy to receive an award at this year’s AI Film Festival. Holding the Golden Bull Award, I feel immense gratitude to the organizers for their hard work, and to the CWAA members who persistently pursue their passions, sharing their literary works and creations. I feel that this festival is not only a celebration of awards but also a source of encouragement for one’s own creative journey—an opportunity to further develop writing and explore AI-assisted creation.

I sincerely hope that the CWAA continues to strive forward, achieving even greater brilliance at the 4th IP Film Festival next year!"*

Best Theme Idea Award

Recipient: Deliang Shi — Touch

**Deliang Shi’s Remarks:**
"I have been to New York many times and watched shows on Broadway several times, but I never imagined I would one day stand on a Broadway stage to receive an award. Winning the Best Theme Idea Award was a tremendous surprise and encouragement for me. I also wonder if I might be the first engineer with a PhD to receive an award on Broadway.
Since attending the **1st International Chinese Original IP Film Festival** in Vancouver three years ago, I participated in the Boston festival last year, and this year’s New York festival marks my third time. Over these three festivals, I have personally witnessed the growth and maturity of the International Chinese Original IP Film Festival. The forums and the genuinely insightful presentations by guests have been eye-opening, even for someone like me who considers himself an AI expert.
I am grateful to the organizing committee for creating new opportunities for international Chinese-language IP in the age of artificial intelligence. I look forward to the festival growing even stronger and hope to reunite with friends next year."

最受大众欢迎作品奖 Most Popular Work Award

钟梅《愿望素》Mei Zhong 《Wishware》

Mei Zhong’s Remarks:

"In the golden autumn of October, I set off from Wuhan, traveling through Guangzhou and Los Angeles for thirty hours before arriving in Portland. After a brief stay, I hurried to New York. Upon arriving, the excitement of meeting everyone immediately eased the fatigue and jet lag. Our group of writers strolled across the Brooklyn Bridge, Central Park, and the SoHo art district, experiencing both the relaxation and vibrancy of New York; we also explored Wall Street, Fifth Avenue, and Grand Central Terminal, soaking in the city’s bustling energy. Yet, at the 9/11 Memorial Pools, it felt as if the noise had been muted, leaving a profound, lingering stillness in my heart.
The festival slowly unfolded, and I especially enjoyed the masterclass and the four forums, gaining invaluable insights from experts and industry professionals. The dinner at the apartment near the Empire State Building and the awards ceremony at Broadway were thrilling experiences. Winning an award on this trip was not only a delightful surprise but also an incredible honor, filling me with gratitude and appreciation.
Liveliness and serenity, clamor and calm—this is the rhythm of New York, and the rhythm of life.
Farewell, New York; farewell, Film Festival."

Grand Launch of World Chinese Literature in New York

The inaugural issue of the international literary journal World Chinese Literature, organized by the Chinese Writers Association of America (CWAA), was officially launched on October 18, 2025, at the Queens Library Theater in New York. The event included a ceremonial ribbon-cutting and a book giveaway.

This event was part of the International Forum of the 3rd International Chinese Original IP Film Festival, hosted by Ms. Shen Yimeng, the forum’s chief moderator. Nearly one hundred writers and experts attending the festival witnessed this historic moment.

In his speech, Dr. Li Xian, CWAA President and Editor-in-Chief of World Chinese Literature, explained: World Chinese Literature is currently an annual journal, with each issue containing approximately 250,000 words and focusing on a specific literary form. The inaugural issue, titled the “Micro-Drama Edition,” includes four micro-drama scripts of 60 episodes each, 23 story synopses with professional critiques from the “CWAA Cup: 1st Global Micro-Drama Literary Script Competition,” and four scholarly articles on micro-dramas written by senior researchers of the World Micro-Drama Research Association.

Six editorial board members, three CWAA members attending the festival, and several authors from the inaugural issue joined the stage to witness the launch of World Chinese Literature, marking a significant milestone in the journal’s debut.

At the launch ceremony, Ms. Cao Xiaodong, Secretary-General of the 3rd International Chinese Original IP Film Festival and renowned international film producer, said:

"Today, we witness the debut of World Chinese Literature, a joyous occasion for the field of Chinese-language literature. Its launch is not merely the birth of a publication, but also a new bridge connecting Chinese communities worldwide and carrying forward Chinese culture. I sincerely hope that World Chinese Literature will cultivate the fertile ground of written expression, gather the finest global Chinese-language creations, warm hearts with excellent works, and inspire reflection. May it blossom into a vibrant new flower in the garden of Chinese literature! I also look forward to more colleagues and readers paying attention, supporting it, and jointly writing a new chapter in Chinese-language literature."

Ms. Chen Ruilin, CWAA advisor and overseas Chinese literature critic, remarked:
"First, I have long hoped that North America would have such a magazine, one that facilitates exchange among writers worldwide. I also sincerely thank the Chinese Writers Association of America for accomplishing this remarkable endeavor. I congratulate this journal and wish it every success!"

Mr. Zhang Ci, author of the inaugural issue, Hollywood screenwriter, and producer, said:
"I am deeply impressed by Dr. Li Xian’s leadership and dedication. I have never met someone so tough and committed, producing such a professional journal. Winning awards is secondary—the launch of this magazine, as Ms. Chen and Ms. Cao have said, represents a transformative moment for North American Chinese literature. Now it is up to AI to turn these stories into films."

Due to time constraints, not all speakers on stage could deliver remarks. Dr. Li Xian, Editor-in-Chief, and Ms. Chen Xi, Director of the Queens Library, jointly lifted the red cloth covering the World Chinese Literature poster, bringing the launch ceremony to its climax and completing the book-giving ceremony. Amid enthusiastic applause, sixteen editorial board members and authors from the inaugural issue took a commemorative group photo on stage. With interactive participation from the audience, everyone together wished World Chinese Literature continued success and a brilliant future!

Amid the cheers and well-wishes, all 60 copies of World Chinese Literature purchased by the 3rd International Chinese Original IP Film Festival were quickly snapped up. Those who missed out expressed their regret, promising to purchase the journal on Amazon.

During the brief launch ceremony, Editor-in-Chief Dr. Li Xian, on behalf of the editorial board, thanked the festival organizers for facilitating the debut of World Chinese Literature at such a prominent moment.

In a post-event interview, Dr. Li explained:

"The inaugural issue is themed the ‘Micro-Drama Edition,’ reflecting the recent rapid rise of micro-dramas globally, which are highly condensed, cross-media, and carry a strong sense of the times. Through examining the unique value of micro-dramas in terms of media, structure, and narrative, we hope to provide a theoretical response to practice and help readers understand the characteristics and development prospects of micro-dramas as an emerging literary form."

She further introduced the strong advisory board of World Chinese Literature, composed of 23 experts in global Chinese-language literature, listed in Pinyin order:

Bai Yang – Professor, Jinan University; President, Chinese World Literature Society
Bai Shurong – Executive Editor-in-Chief, Wenzong Magazine, Hong Kong; Vice President, World Chinese Literature Federation
Chen Gongzhong – Professor, School of Humanities, Nanchang University; Honorary Vice President, Chinese World Literature Society
Chen Ruilin – Overseas Chinese literature critic; President, Euro-American Film and Television Association
Fan Luoping – Professor, School of Literature, Zhengzhou University
Jiang Shuzhuo – Professor, School of Literature, Jinan University; Former President, Guangdong Writers Association
Jiang Lin – Professor, Sichuan International Studies University; Editor-in-Chief, Asia-Pacific Journal
Jin Jin – Researcher, School of Literature, Zhejiang University; Editor-in-Chief, Chinese Literature and Culture Series
Jiang Shaochuan – Professor, School of Literature, Central China Normal University
Ling Dingnian – President, World Chinese Microfiction Research Association
Li Liang – Researcher, Jiangsu Academy of Social Sciences; Editor-in-Chief, World Chinese Literature Forum
Liang Lifang – Professor, University of Alberta; President, Canadian Chinese Writers Association
Liu Lirong – Professor, San Diego State University; Editor-in-Chief, Chinese Monthly (USA)
Wang Zongfa – Professor, School of Literature, Anhui University; Former Vice President, Anhui Association of Literary Critics
Wang Zuyou – Professor, Taizhou University; Former Dean, School of Foreign Languages, Taizhou University
Wang Hailan – Professor of Chinese, Nihon University; Former President, Japanese Chinese Writers Association
Yang Jilan – Former Vice President, Fujian Writers Association; Editor-in-Chief, Taiwan-Hong Kong Literature Anthology
Yan Xianghong (pen name Anjing) – Editor-in-Chief, European Chinese Literature Anthology
Zheng Nanchuan – Overseas Chinese literature critic; Former President, Chinese Writers Association of Quebec, Canada
Zhuang Weijie – President and Editor-in-Chief, Chinese Literature Journal
Zhang Feng – Harvard Yenching Library, Harvard China Culture Workshop
Zhang Juan – Professor, School of Humanities, Southeast University; Member, Chinese Novel Society
Zhang Yihong – President and Editor-in-Chief, Asia-Pacific Literature (Hong Kong)

The editorial team for this issue includes: Editor-in-Chief Li Xian, Deputy Editor Liu Yun, Managing Editors Zhong Mei and Liu Fei, Head of Digital Department Wen Hao, Head of Finance Tan Ruiqin, Head of Liaison Shi Deliang, Head of Art Department Owen Li Gee, and Head of Distribution Liu Yalan.

Chinese-language writers’ associations from around the world also sent congratulatory messages. Leaders including Zhang Aolie, President of the International New Immigrant Chinese Writers Society; Sun Dean, President of the World Chinese Writers Association; Chen Haoquan, Honorary President of the Chinese Writers Association of Canada; Meng Na, President of the European New Immigrant Chinese Writers Association; Hua Chun, President of the Japanese Chinese Women Writers Association; Wu Lingyi, President of the Australian Chinese Writers Association; Zhang Jinfan, Honorary President of the New South Wales Chinese Writers Association (Australia); Feng Yu, President of the Canada Greater China Writers Society; Sun Bo, President of the Canada China Writers Society; and Lin Denan and Liu Ruijin, Honorary Presidents of the Singapore Writers Association, all expressed high praise for the inaugural issue of World Chinese Literature.

Additionally, advisory board members of the CWAA—including Wang Zhiming, Lü Hong, Zeng Xiaowen, Guo Xi, Jia Fei, Li Fanyu, and Yu Huifen—sent congratulatory letters celebrating the association’s continued growth and achievements over the past decade.

In the foreword titled “Breaking New Ground on the Map of World Literature” of the inaugural issue, Dr. Li Xian, President of the Chinese Writers Association of America (CWAA) and Editor-in-Chief of World Chinese Literature, wrote:

"We are fully aware that founding a literary journal overseas is no easy task. The migration of language, the fluidity of culture, and limited resources make this endeavor inherently challenging. Yet we firmly believe that literature is a universal language that transcends borders and a long-term endeavor worthy of dedication. The realization of this cultural ideal would not be possible without the support and encouragement of friends from all walks of life who share a humanistic spirit and a commitment to public good."

She expressed special gratitude to the leaders of East West Bank and Vice President Ms. Yang Xia for their strong support of the inaugural issue. She also thanked experts and scholars from the global Chinese-language literary community for their moral encouragement, and the editorial board members who volunteered their professional knowledge and time.

"We hope that World Chinese Literature will serve not only as a platform for publishing texts but also as a space for ideas and cultural connection—engraving thoughts of the diaspora while responding to ties with the homeland; inspiring the joy of integration while documenting the shared flame of culture. We sincerely invite Chinese-language writers, literature enthusiasts, and scholars worldwide to join us, hand in hand, to break new ground on the map of world literature."

Finally, on October 18, 2025, the inaugural issue of World Chinese Literature, the “Micro-Drama Edition,” was officially launched in a grand ceremony in New York.

(*Group photo of some editorial board members of* **World Chinese Literature**. From right: **Managing Editor Liu Fei**, **Head of Liaison Shi Deliang**, **Head of Digital Department Wen Hao**, **President & Editor-in-Chief Li Xian**, **Managing Editor Zhong Mei**, **Head of Distribution Liu Yalan**.)

Click the video link to watch the full ceremony：https://www.bilibili.com/video/BV14vsCz1EE6/?vd_source=529e269d7cc6736762dc5717465ee641

Subscribe on Amazon：https://a.co/d/b5ouYJ4

Stay tuned for the 2026 “Prose Edition” call for submissions of World Chinese Literature.

Reported by the Editorial Team of World Chinese Literature

Maria Gee-Schweiger 11/18/25 Maria Gee-Schweiger 11/18/25

3rd International Chinese Original IP Film Festival

2025 Global AI Film Festival – New York

American Chinese Writers Association Achieves Remarkable Success

In October 2025, Chinese-language creators, filmmakers, screenwriters, writers, tech innovators, and artists from around the world gathered in New York for the 3rd International Chinese Original IP Film Festival. Under the theme “Originality at the Core, Technology as the Wings,” this year’s festival marked a new era for cinematic arts amid the growing wave of artificial intelligence.

The festival presented a rich array of events, including masterclasses, high-level forums, the opening reception, and an awards gala—creating a dynamic international platform for cross-disciplinary collaboration and creative exchange. Highlights also included the global launch of World Chinese Literature, an international journal, and the debut of the World Micro-Drama Research Association.

On October 18, the awards gala was grandly held at the Broadway Theater in New York. Accompanied by an impressive performance by “The Amazing Second-Generation Chinese,” the major awards were announced one after another. Ten members of the American Chinese Writers Association received honors, marking an exceptional year of achievements.

Below is the full report on the film festival.

(Film Festival Poster and Organizing Committee)

The Golden Bull Award trophy of this year’s film festival was meticulously designed by Dr. Ellen Qiong Zhao. Symbolizing perseverance, creativity, and prosperity, the trophy was presented to 26 recipients from around the world in recognition of their outstanding achievements and artistic contributions in IP + AI innovation.

New York State Assemblyman Ron Kim awarded honorary certificates to the film festival and the Long Teng Cultural Development Foundation.

(From right to left: Festival Secretary-General **Xiaodong Cao**; Festival Chief Planner **Sunny Zhang**; Festival Vice Chair **Professor Yuhua Zhu**; Advisory Board Chair **Dr. Ellen Qiong Zhao**; Festival Chair **Bill Einreinhofer**; New York State Assemblyman **Ron Kim**; Former New York State Assemblywoman **Ellen Young**; Festival Executive President and Gala Director **Jie Cui**.)

Masterclass Dialogue at the New York Film Academy

On the morning of October 17, the festival’s Masterclass was held at the New York Film Academy. Centered on the theme “Technology Empowering Creativity · IP Connecting the Future,” the session opened with remarks by Shirley Hon. Led by three-time Emmy Award winner Professor Bill Einreinhofer, the Masterclass brought together several internationally renowned filmmakers to share their creative insights. Distinguished guests included international producer and director Professor Xiaodong Cao, Deputy Dean of the Beijing Film Academy and director Sun Lijun, as well as Hollywood screenwriter and director Shiao-ai Chi.

Guided by the questions raised by moderator Shirley Hon, the four esteemed experts engaged in an in-depth discussion on innovative applications of AI in literary creation, script adaptation, and film production. Professor Yuhua Zhu, Vice President of the New York Film Academy and Vice Chair of the Film Festival, delivered remarks and presented honorary certificates and commemorative gifts to the speakers. The event was lively and inspiring, showcasing the dynamic interplay of technology and artistry in shaping a new cinematic era. Michael Young, President of the New York Film Academy, also attended to offer his congratulations.

(From right to left: Moderator **Shirley Hon**; Professor **Sun Lijun**, Deputy Dean of the Beijing Film Academy; Hollywood Chinese-American director **Shiao-ai Chi**; New York Film Academy professor **Bill Einreinhofer**; and guest international producer **Xiaodong Cao**.)

Global AI Visual Creativity Alliance Officially Established

(From left to right: Festival Chief Planner **Sunny Zhang**, Secretary-General **Xiaodong Cao**, Advisory Board Chair **Dr. Ellen Qiong Zhao**, Moderator **Sisi Cao**, Moderator **Livia Pillmann**.)

Grand Opening Gala and Launch of the Global AI Visual Creativity Alliance

On the evening of October 17, a lavish opening gala was held at The Central, a luxury apartment clubhouse across from the Empire State Building, attended by approximately 180 distinguished guests. The event was star-studded, brimming with elegance and glamour.

The festival was chaired by three-time Emmy Award winner Professor Bill Einreinhofer, with Dr. Yuhua Zhu, Executive Vice President of the New York Film Academy, serving as Vice Chair. Renowned Hollywood Chinese-American director Shiao-ai Chi presided over the jury, and acclaimed sculptor Dr. Ellen Qiong Zhao served as Chair of the Advisory Board. Festival image ambassador Li Shanglong represented the event, while young second-generation Chinese talent Pan Meibel made a special appearance on stage.

Chief Planner Sunny Zhang, Secretary-General Xiaodong Cao, and Executive Chair Jie Cui delivered speeches to officially announce the establishment of the Global AI Visual Creativity Alliance. They also revealed that the Alliance’s first AI-driven film, The Classic of Mountains and Seas: Chaos, is set to begin production soon. During the gala, Secretary-General Xiaodong Cao presented a 3D Golden Bull to Advisory Board Chair Dr. Ellen Qiong Zhao on behalf of the organizing committee as a token of gratitude.

High-Level Summit on AI and Intellectual Property

(From right to left: Moderator **Yimeng Shen**; Guests **Sun Jia** and **Lin Yudi**.)

On the morning of October 18, the theater at the Flushing Library was filled to capacity. Moderator Yimeng Shen opened the session by inviting Professor Yuhua Zhu, Vice Chair of the New York Film Festival, and library representatives to deliver opening remarks, officially inaugurating the “AI and IP” Summit Forum. Following Professor Zhu’s keynote, the forum commenced with an in-depth discussion among experts on “Breaking Through in Film in the AI Era”, exploring the symbiotic relationship between technological empowerment and humanistic expression. Professor Sun Lijun showcased the AI-animated work Huangtupo, which received enthusiastic responses from the audience.

Under the theme “When Gen Z Becomes the Creative Force, AI Redefines ‘Youth’”, young creatives Zhang Jia, Zhang Han, and Lin Yudi shared their insights and hands-on experiences in artistic creation in the AI era.

Director Gao Feng, Founder and CEO of Love Journey, delivered a keynote speech analyzing how AI is reshaping film and television production from a creator’s perspective. He also discussed future trends under the theme “The Past, Present, and Future of North American Short-Form Dramas.”

Bestselling author Li Shanglong held a dialogue with AI visual artist Binghe on the theme “The One-Person Company in the AI Era,” exploring how AI is disrupting traditional film and television systems and offering pathways for independent and small-scale creators to break through.

(From right to left: Moderator **Yimeng Shen**; Guests **Li Shanglong** and **Binghe**.)

Moderator Sisi Cao led a discussion with guests Bill Einreinhofer, William Harlam, Huang Bing, Zhang Ci, and others on “The Challenges of AI to Hollywood.” The conversation analyzed AI’s impact from multiple dimensions, spanning industry mechanisms to creative innovation.

(From right to left: Moderator **Sisi Cao**; Guests **Huang Bing**, **William Harlam**, and **Zhang Ci**.)

Overseas critic Chen Ruilin, serving as moderator, led a discussion with guests Shi Wei, Li Xian, Pu Ruoxi, Shi Deliang, and other writers on “Challenges and Opportunities for Chinese-Language Writers in the AI Era.” The forum explored the artistic boundaries of AI-assisted writing and the expansion of literary spirit.

(From right to left: Moderator **Chen Ruilin**; Guests **Shi Wei**, **Li Xian**, **Pu Ruoxi**, and **Shi Deliang**.)

International Journal Makes a Grand Debut

The international literary journal World Chinese Literature (世华文学), hosted by the Chinese Writers Association of America (CWAA), held its inaugural launch during the film festival. Fifteen people, including editorial board members and contributing authors of the inaugural issue, as well as attending CWAA members, participated in the ribbon-cutting ceremony.

Dr. Li Xian, Chair of the Chinese Writers Association of America and Editor-in-Chief of World Chinese Literature, expressed gratitude to the festival organizing committee for this invaluable opportunity. He introduced the inaugural issue’s “Micro-Drama Section”, highlighting the journal’s mission to promote Chinese-language literature across regions and cultural contexts, showcasing the diversity and depth of contemporary Chinese writing.

Remarks were also made by Secretary-General Xiaodong Cao, international film producer; Chen Ruilin, renowned overseas Chinese literary critic and journal advisor; and Zhang Ci, Hollywood producer and screenwriter, all affirming the journal’s significant role in advancing Chinese-language literature in North America and globally.

Under the witness of nearly 100 people both on and off stage, Editor-in-Chief Li Xian and Chen Xi, Director of the Queens Library in New York, cut the ribbon for World Chinese Literature amid enthusiastic applause. The 60 complimentary copies purchased by the festival organizing committee were snapped up instantly.

*World Chinese Literature* Officially Debuts

(Dr. Li Xian, Editor-in-Chief of ***World Chinese Literature***, and Ms. Chen Xi, Director of the Queens Library in New York, unveil the journal.)

(From right to left: Yimeng Shen, Wen Hao, Shi Deliang, Li Xian, Chen Ruilin, Xiaodong Cao, Fu Shuixian, Liu Yalan, Zhang Huiling, Jannie, Zhong Mei, Liu Fei, Zhang Ci, Guo Xiaojuan, Liu Shaoyong.)

*World Chinese Literature* Launch Poster

Watch the inaugural launch live via this link.：https://www.bilibili.com/video/BV14vsCz1EE6/?vd_source=529e269d7cc6736762dc5717465ee641

World Micro-Drama Research Association Makes Its Debut at the Film Festival

During the film festival, Dr. Li Xian, President of the World Micro-Drama Research Association (WMDRA), presented certificates to core members of the association attending the event.

Registered in the United States, the WMDRA is an international academic organization dedicated to the study and promotion of micro-dramas in artistic creation, cross-disciplinary collaboration, and global dissemination. Conducting activities primarily in Chinese and English, the association brings together leading experts from film, artificial intelligence, and digital culture to explore the narrative potential and cultural significance of micro-dramas in the digital era.

World Micro-Drama Research Association Website：https://www.worldmicrodramas.com/

(From right to left: Website Director **Shi Deliang**, Website Editor **Yalan**, President **Li Xian**, Researcher **Xiaodong Cao**, Secretary-General **Zhong Mei**.)

Spectacular Awards Ceremony on Broadway, New York

Awards Gala at Broadway, New York

The awards gala was grandly held at a Broadway theater in New York. The event featured a captivating performance by “The Amazing Second-Generation Chinese,” blending dance, music, and visual arts to showcase youthful energy and creative vitality. During the opening ceremony, a special tribute was paid to the late filmmaker Zhao Dan, honoring his outstanding achievements and lasting influence in Chinese-language cinema, reflecting the festival’s respect and commemoration of pioneering artists.

The top award of this year’s festival went to Life of Luosang by Lu Wei and Zhang Guodong. The film, with its profound humanistic care and delicate narrative style, deeply moved the audience and received unanimous praise from both judges and viewers.

Professor Yuhua Zhu, Vice Chair of the festival, together with Hollywood agent William Harlam, presented the award to the film’s representatives.

(Professor Yuhua Zhu, Vice Chair of the Film Festival (far left), and Hollywood agent **William Harlam** present the award to the film’s representatives.)

The Festival Special Award was presented to Ms. Shi Wei and Ms. Chen Ruilin, both literary advisors to the festival and founding members, in recognition of their outstanding contributions to promoting Chinese-language original IP films and fostering cross-cultural exchange.

(From left to right: Festival Chief Planner **Sunny Zhang** presenting the Festival Special Contribution Awards to renowned writer and literary critic **Chen Ruilin** and writer and poet **Shi Wei**.)

**Most Promising Investment Award:** Each recipient received **$10,000 in startup funding** for their film or media company.

**Best IP Adaptation Award:**
*(Award presenter: Director* ***Shiao-ai Chi****, from left. Award recipients (from left to right):* ***Zhou Qianqi***, ***Zhang Ci***, ***Zhang Huiling***, ***Li Xian***, ***Zhu Xinhang****; award presenter* ***Hugo Arenas***.)

(From left to right: **Nan Lin**, **Liu Fei**, **Guo Xiaojuan**, **Shi Deliang**, **Zhao Siyuan**; Award presenters: **Hugo Arenas**, **William Harlam**.)

**Best Original IP Award:**
*(Award recipients:* ***Jannie*** *(second from left),* ***Sha Shi*** *(center),* ***Yimeng Shen*** *(second from right); Award presenters:* ***Chen Ruilin*** *(far left),* ***Shi Wei*** *(far right).)*

**The Festival’s “Most Heartwarming Award”** was presented to the champion Shiba Inu **Yuanbao**, who has competed alongside world champions in numerous international tennis tournaments, earning recognition as a true canine star.

(**Jie Cui**, Executive President of the 3rd International Chinese Original IP Film Festival (right), presents a certificate to **Zhang Ci**, Executive President of the 4th edition.)

Closing Ceremony

Chinese-American elites presented honorary certificates to The Amazing Second-Generation Chinese, symbolizing “balancing cultural heritage with innovation.”

Sunny Zhang stated:
"In the AI era, we will continue to promote overseas Chinese-language IP and AI-driven films, providing a broader stage for global Chinese-language creators to showcase their talents. We aim to bring Chinese original works to the world and ensure that stories in the age of technology retain a human touch."

The festival concluded successfully, heralding a new chapter in the fusion of Chinese-language originality and artificial intelligence under the New York sky.

Maria Gee-Schweiger 1/24/25 Maria Gee-Schweiger 1/24/25

Winner’s Remarks

Winner’s Remarks and Messages from Participants and Guests

After the awards ceremony, the organizing committee immediately received heartfelt messages from participants around the world:

First Prize – Zhang Ci:
I am truly honored to receive the First Prize in the inaugural China-US Writers Association Cup Competition. This prestigious award establishes my position in the short drama script community. With recognition comes responsibility; future short dramas must embrace more creativity to make this field increasingly innovative and challenging. This is the best New Year gift for 2025. I greatly admire the judges’ and organizing committee’s rigorous and dedicated work! Congratulations to the other winners, and may this competition continue to flourish. Wishing everyone a Happy New Year!

Second Prize – Zhong Mei:
I am deeply grateful to the competition’s judges and organizing committee for awarding me this prize. It is a tremendous honor. This recognition belongs not only to me personally but also to the Chinese Writers Association in the United States. Congratulations to the other winners as well. I hope everyone achieves greater success and recognition in the short drama field, and that the “China-US Writers Association Cup” continues to grow and prosper!

Third Prize – Guo Xiaojuan:
I am truly honored to receive the Third Prize in the inaugural Global China-US Writers Association Cup Competition. Attending the event yesterday, I realized the competition gathered many esteemed writers. As this was my first attempt at writing a suspense short drama script, winning the award was both shocking and delightful. This is the best New Year gift for 2025. I am also deeply moved by the judges’ and organizing committee’s rigorous and dedicated work. Congratulations to the other winners, and may the competition continue to thrive. Happy New Year to all!

Third Prize – Weng Yishui:
Grateful for everything! Congratulations on the successful completion of the event! Wishing everyone happiness, peace, joy, and health!

Third Prize – Chen Xin:
I feel extremely surprised and delighted to receive this award. I am aware that compared with more experienced and outstanding winners, I still have much to learn and improve. I sincerely thank the competition for giving me this opportunity and hope that the “China-US Writers Association Cup” short drama competition continues to thrive, inspiring all participants to achieve even greater success in the future.

Excellence Award – Ge Hangsong:
I am truly honored to receive this award. My gratitude goes to the judges for their recognition and to the Chinese Writers Association in the U.S. and Dreamood Pictures for organizing this event. This award not only affirms my work but also encourages me to continue creating English-language scripts. I hope that the winning works will soon be produced and shared with audiences.

Excellence Award – Shen Yimeng:
I am grateful for this honor, which not only recognizes my creative work but also encourages the integration of film and short drama. As a filmmaker, I believe every new form carries unique storytelling power. Short dramas have become a cultural trend in the U.S., and are still developing in Europe. Through my work, I hope to explore the potential and depth of this format, bringing it to a wider audience. Thank you all for your support and trust; I will continue to explore new possibilities in this creative field.

Excellence Award – Sun Bo:
In recent years, short dramas have become extremely popular. As a traditional screenwriter, I had never watched one before and even looked down on them a little. However, on June 8 last year, I attended a film forum hosted by the China-US Writers Association and was captivated by Ms. Yinuo’s lecture. Two hours of practical insights completely changed my view of short dramas. I quickly began watching several short dramas, some exquisitely produced and engaging. I was completely won over and felt inspired to create. Within a week, I decided to submit my first short drama, “Mom, I’m Home”, to the competition. Thanks to the judges’ generous recognition, I was fortunate to receive an Excellence Award. Without this competition, I might never have ventured into short dramas. Heartfelt thanks to Chairman Li Xian and the organizing committee for their hard work!

Excellence Award – Xin Man:
The award warms the heart, and the poetic spirit flows freely.
Thanks to the China-US Cup for supporting our dreams, which carry us to distant mountains.

Creativity Award – Jia Wenting:
I sincerely thank the China-US Writers Association for this opportunity. With professionalism as paper, literature as pen, and story as thread, creativity adds color, jointly crafting a new audio-visual feast and painting a magnificent picture of short drama.

Finalist – Shen Linzhao:
One’s early years determine one’s journey, green sleeves and red warmth flow with time.

Finalist – Wang Ye’an:
Although I only received a finalist award, this is a tremendous encouragement for my first attempt at scriptwriting. I thank the judges and organizing committee and congratulate all winners.

Advisor – Chen Ruilin:
First, warm congratulations to all winners of the inaugural Global China-US Writers Association Cup Short Drama Script Competition! Thanks to the Chinese Writers Association in the U.S. for organizing today’s literary and film event. Centered around dreams, vision, and the future, writers from across the globe gathered to bridge overseas Chinese literature with the film industry. Excellent literature combined with film generates immense energy. We encourage writers worldwide to provide outstanding literary works for Chinese film and fulfill their mission as overseas writers, leveraging literature’s impact. Once again, congratulations on the successful conclusion of the inaugural competition!

Advisor – Zheng Nanchuan:
Chairman Li Xian, attending the event today, I am deeply moved. Organizing a global event like this as a non-profit is extremely challenging. Without your literary expertise, passion for writing, social dedication, the trust of your team, and everyone’s collective effort, this event would have been impossible. You have nearly pioneered a global competition led by an overseas writers association, offering substantial prizes and focusing on the trending “micro-literature” category. I have seen some events, but none as well-executed as this. Truly commendable.

Advisor – Li Shanglong:
I am grateful to the organizing committee for inviting me as an advisor. Though I am now an entrepreneur in AI, I still identify foremost as a writer. Writing brings me peace and allows me to perceive the flow of the world through my own perspective. Thank you to the organizers for giving me the chance to empower more writers.

Mona, President of the European Chinese New Immigrant Writers Association:
This grand event, initiated by Dr. Li Xian and supported by numerous literary organizations, was a tremendous success. It inspires writers and screenwriters worldwide to contribute to the development of short drama series. This historic achievement serves as a beacon, guiding and bringing hope to literary and film creators globally.

Hua Chun, Founding President of the Japanese Women Writers Association:
Congratulations on the successful conclusion of the inaugural Global Short Drama Script Competition! After the first event, many more will participate in the second. Chairman Li Xian has extensive experience from working at Heilongjiang TV. Congratulations also to Zhang Ci, who rightfully earned this honor through years of dedication to film and television creation. Salute to all winners!

Huang Zongzhi, Honorary President of the Los Angeles Chinese Writers Association:
Congratulations to the China-US Writers Association for the successful awards ceremony and to all winners! Special congratulations to Zhang Ci for winning the First Prize. Thank you to the association for organizing this literary and film event!

Dong Yan, President of the Quebec Chinese Writers Association:
Chairman Li Xian and the team, your hard work is greatly appreciated! Congratulations on the successful conclusion of the China-US Writers Association Cup – Global Short Drama Script Competition!

Zhang Haoyin, CEO of Longteng Cultural Development Foundation:
It was an honor to attend the awards ceremony. Thank you, Chairman Li Xian, for the invitation. As an IP film festival organizer, I am thrilled to see so many excellent works presented in this competition. We advocate for the originality of IP, and I look forward to seeing more great works in future festivals. See you in New York!

Qi Hongxiang, President of Hongxiang Film Production:
Congratulations to all winners! Thank you to the China-US Cup for the invitation, and to the authors for their dedication. Thanks also to the judges for their fair evaluations, which brought forth these outstanding works. I hope our short drama platform continues to flourish under your efforts, with a bright and limitless future!

Lin Meijun, President of the South American Chinese Writers Association:
Congratulations on the successful Global Short Drama Awards Ceremony and the CWAA Annual Meeting.

Yuan Ruizhen, Special Guest, Permanent Member of the China-US Writers Association, Winner of the Bing Xin Prose Award:
The awards ceremony was grand and elegant, perfectly executed. The competition aligns with contemporary trends and aesthetic needs, attracting writers worldwide and generating outstanding works. It enriches spiritual life and highlights the China-US Writers Association. Under Chairman Li Xian’s leadership, the association will continue fostering East-West cultural integration, Chinese language preservation, innovation, and international literary collaboration, opening broader opportunities for its members.

Cao Xiaodong, Special Guest, Internationally Renowned Film Producer, Chairman of Huohong Pictures, and Jury Chair of the 2nd International Chinese Original IP Film Festival:
Dear Chairman Li Xian,

I am deeply honored to have been invited to participate in the inaugural Global Short Drama Script Competition awards ceremony. This groundbreaking event demonstrated exceptional charm and significance. From preparation to execution, your leadership inspired worldwide participation, presenting diverse and outstanding scripts that showcase the vitality and potential of short dramas.

The awards ceremony was meticulously organized, highlighting the unique merits of each winning script and forecasting the promising future of the short drama industry. As a film producer, I am particularly excited. Each winning work is a gem, with strong literary foundations, intricate story structures, and great adaptation potential. I look forward to transforming these scripts into captivating screen productions, bringing a fresh audio-visual experience to audiences and revitalizing the film industry.

This spectacular event is the brilliant culmination of your team’s efforts, creating a premier platform for global short drama exchange. It will inspire more creators and elevate the industry to new heights. I look forward to continuing to witness and contribute to more achievements under your leadership.

Sincere congratulations once again!

— Cao Xiaodong

(Contributed by the China-US Writers Association)

Maria Gee-Schweiger 1/23/25 Maria Gee-Schweiger 1/23/25

Grand Awards Ceremony

The Literary Light of Short Dramas: A Cross-World Celebration of Creativity
— The Inaugural China-US Writers Association Cup Global Short Drama Script Competition
Awards Ceremony Successfully Concluded

On January 18, 2025, the awards ceremony of the “China-US Writers Association Cup – Inaugural Global Short Drama Script Competition” was grandly held online. This remarkable event brought together outstanding figures from literature, film, and culture worldwide, illuminating the stars of time with the power of words and opening a new chapter for the development of short drama literature.

The competition was hosted by the Chinese Writers Association in the United States, organized by Dreamood Pictures (USA) and the World Short Drama Research Society, and co-organized by the World Chinese Microfiction Research Association. The event received support from 30 Chinese-language literary organizations worldwide and sponsorship from Dreamood Pictures, East West Bank (USA), and Sunshine International Investment (USA). Since its launch in May 2024, the competition has attracted numerous outstanding literary creators from around the globe, becoming an international celebration where literature and film intersect.

Distinguished Guests Gathered to Celebrate

Attendees of the awards ceremony included members of the organizing committee, advisors, winners, and members of the China-US Writers Association, as well as presidents and leaders from literary organizations and film companies worldwide. Supporting organizations and associations included:

Huang Zongzhi, Honorary President, Los Angeles Chinese Writers Association (USA)
Liu Fei, President, Northwest Chinese Writers Association (USA)
Chen Ruilin, President, Euro-American Film Association
Qi Hongxiang, President, Hongxiang Film Production Company
Feng Yu, President, Greater China Writers Association (Canada) and Han Changfu, Vice President
Sun Bo, President, Chinese Writers Association of Canada
Zheng Nanchuan, Founding President, and Dong Yan, Current President, Quebec Chinese Writers Association (Canada)
Mona, President, European Chinese New Immigrant Writers Association
Hua Chun, Founding President, Japanese Chinese Women Writers Association
Liu Ruijin, President, Singapore Writers Association
Wen Xiaoyun, Secretary-General, Thai Chinese Writers Association
Xian Jinyan, Chair, New Zealand Chinese Literary and Arts Federation
Helen Hu, Australian Chinese Writers Association
Lin Meijun, President, South American Chinese Writers Association
Coconut, President, Philippine Chinese Writers Association

Special invited guests added even more brilliance to the event, including:

Ms. Zhang Haoyin, Chairperson of Longteng Cultural Development Foundation and Chief Planner of the International Chinese Original IP Film Festival
Ms. Cao Xiaodong, internationally renowned film producer, Chairman of Huohong Pictures, and Jury Chair of the 2nd International Chinese Original IP Film Festival
Qi Binying, President, Megalight Film Company (USA)
Zhang Feng, President, Overseas Chinese Women Writers Association
Zhang Hui, Publisher, World Chinese Weekly Publishing Group
Lei Junyi, President, Washington DC Chinese Writers Association
Cai Zhong, Vice President, Ho Chi Minh City Chinese Literary Association (Vietnam)
Professor Wang Zuyou, Taizhou University
Jia Mingwen, Editor-in-Chief, “Wenxi Zhonghua” Editorial Office, Washington DC
Ji Min, President, Vinery International Media Co., Limited
Bao Bao, Director, CPAN Film Company
He Zonghuan, Producer, Daying Youxiang Film Co., Ltd. (Chengdu)

Special Messages Draw Global Attention

Headquartered in the picturesque coastal city of San Diego, California, the Chinese Writers Association of America (CWAA) received worldwide recognition during the CWAA Cup Global Micro-Short Drama Screenplay Awards Ceremony.

The Mayor of San Diego, Todd Gloria, sent a congratulatory letter to the event, stating:

“Dear guests of the CWAA Micro-Short Drama Awards Ceremony: Congratulations to the organizers and participants for creating such an outstanding international event celebrating artistic creativity and innovation. The micro-short drama format fully demonstrates the power of concise storytelling and its ability to connect diverse voices and audiences around the world.
As Mayor of San Diego, I am proud to recognize the Chinese Writers Association of America — a national nonprofit organization headquartered in our city. CWAA is dedicated to advancing literary and cultural excellence across the nation. Seventy of its members’ works have been collected by the UCLA Library, enhancing San Diego’s artistic reputation and making a lasting impact both domestically and internationally. Thank you for providing a space where creativity and talent can flourish. I wish this ceremony great success and inspiration.”

U.S. Congresswoman Judy Chu also extended her congratulations through a video message:

“I want to thank the Chinese Writers Association of America (CWAA) and its President, Dr. Gee-Schweiger, for organizing this wonderful event that brings together storytellers to celebrate the power of words and creativity. I would also like to thank Chief Advisor Lisa Yang for her invitation and her contributions to our community.
Since its founding in 2015, CWAA has built a thriving platform for writers, fostering cultural exchange and community connection through storytelling. Today’s competition showcases CWAA’s leadership in promoting the innovative micro-short drama format — a concise and powerful way to inspire creativity, highlight diverse themes, and advance global inclusiveness in culture. I congratulate the entire CWAA team for successfully hosting such a meaningful event. Your efforts have enriched our communities and paved the way for more connected stories and creative endeavors in the future. Congratulations on this remarkable achievement!”

Lisa Yang, member of the International Executive Committee of the Hollywood Women’s Film Association, screenwriter, and Chief Producer of The Oscar Team, also sent her best wishes in a congratulatory message:

“Although I could not attend the ceremony due to work commitments, I would like to express my feelings in ten words: ‘With a worldly attitude and a transcendent spirit, do things well.’ As Chief Advisor of this year’s competition, I am deeply gratified to see President Gee-Schweiger and all team members complete such a challenging task with selfless dedication — demonstrating professionalism, perseverance, and precision.”

In a video message, Ling Dingnian, President of the World Chinese Microfiction Research Association, expressed his admiration and congratulations:

“My respect and best wishes to the organizers, participants, sponsors, supporters, and winners of this event! Your efforts, creativity, and hard work have been recognized and rewarded. In the rapidly rising field of micro-short dramas, you are at the forefront — playing a leading role that will leave a remarkable mark in both literary and cinematic history.”

Authoritative Judging and Award Announcement

At the award ceremony, Dr. Gee-Schweiger, President of the Chinese Writers Association of America (CWAA) and Chair of the Organizing Committee, delivered a comprehensive report summarizing the competition. She stated:

“Throughout the judging process, we strictly followed a three-stage evaluation system — preliminary, secondary, and final reviews — conducted by the panel of judges. In early October, four preliminary judges began assessing submissions using both a scoring system and overall commentary to shortlist entries. In early November, another four judges carried out the secondary review based on the first-round feedback, evaluating each work with fairness and objectivity by considering the author’s background, synopsis, and screenplay, and then recommending the award rankings. In December, two judges who served on both the secondary and final review panels consolidated the results to determine the final list of winners.
It was gratifying to see that the judges’ feedback was remarkably consistent, allowing the selection to conclude smoothly. The entries this year included screenplays written in Chinese, English, and bilingual formats. Notably, many participants and winners are experienced creators, including professional screenwriters and directors. However, we also observed that while some well-known writers submitted outstanding stories, their works were not fully suited for the micro-short drama format and had to be regrettably set aside. At the same time, several emerging writers stood out with original ideas and scripts that perfectly fit this form, truly embodying the mission of the competition — to provide a platform for creators at all levels to showcase their talent.”

Cui Ping, Executive Director of the Judging Committee and Secretary-General of CWAA, served as the ceremony host. She invited Attorney Wang Zhiming, the association’s legal advisor, to read the notarization statement, affirming that the entire judging and award process was conducted with fairness, transparency, and integrity, and that all results were valid and authentic.

The First Prize was presented by Dr. Gee-Schweiger, Chief Judge and Chair of the Organizing Committee, along with Mr. Tan Ruiqin, CWAA Treasurer, who awarded the winner Ms. Zhang Ci a certificate of honor and a cash prize of USD 1,000. A member of the Chinese Writers Association since 1983 and now based in Hollywood, Ms. Zhang won for her 60-episode micro-short drama series Bank, which impressed judges with its unique theme and concise storytelling. The project has strong potential for production.

The Second Prize was awarded by Eno Q, President of Dreamood Pictures, to Wang Fei for Setting the Trap and Zhong Mei for My American Rebirth, each receiving USD 500. Wang Fei’s work was praised for its fresh market-oriented theme, while Zhong Mei’s screenplay stood out for its creative use of time travel, skillfully blending ancient and modern cultural elements. Both projects are under consideration for production.

The Third Prize was presented by Dr. Shi Deliang, CWAA Deputy Secretary-General, Executive Group Leader of the Organizing Committee, and Preliminary Judge of the competition, together with Ms. Liu Fei, CWAA Board Member and Head of the Organizing Committee’s External Relations Group. Each winner received a USD 300 prize.

The Excellence Awards were presented by Wen Hao, Vice President of CWAA and Vice Chair of the Organizing Committee, to ten recipients.

Ms. Zhang Haoyin, Chairwoman and CEO of the Longteng Cultural Development Foundation and Chief Curator of the International Chinese Original IP Film Festival, presented the Creativity Awards to six recipients.

Ms. Zeng Xiaowen, CWAA Advisor and former President of the Chinese Pen Society of Canada, presented the Finalist Certificates to four honorees.

Honoring Dedication and Unity

To express gratitude to the special supporters of the competition, the Organizing Committee established three honorary distinctions — the Cultural Ambassador Award, the Literary Angel Award, and the Outstanding Contribution Award.

The Cultural Ambassador Award was presented to:
• Lisa Yang — Member of the International Executive Committee of the Hollywood Women’s Film Association, screenwriter, producer, and Chief Producer of Hollywood’s Oscar-winning The Oscar Team. She served as Chief Advisor of this year’s competition.

• Ye Xin — Renowned Chinese novelist, former Vice Chairman of the 9th National Committee of the Chinese Writers Association, and screenwriter of the acclaimed TV dramas Debt of Life and Wasted Years. He served as Chief Advisor of the competition.

• Ling Dingnian — President of the World Chinese Microfiction Research Association, advisor to the Organizing Committee, and representative of the event’s co-organizing institution.

The Literary Angel Award was presented to six distinguished advisors:
• Professor Cao Wenxuan, doctoral supervisor at Peking University, film screenwriter, and winner of the Hans Christian Andersen Award.
• Chen Ruilin, overseas Chinese literary critic and President of the European and American Film and Television Association.
• Zheng Nanchuan, President of the Canadian Society for World Sinology, scholar, and writer in Chinese literary criticism.
• Zheng Zi, Executive Vice President of the Asian Microfilm Academy and Executive Director of the China Federation of Literary and Art Circles Film and Television Center.
• Wei Haijun, Founding Partner of Daguan Capital.
• Li Shanglong, bestselling author and science communicator with over one billion online views for his AI-themed educational content.

Two additional recipients of the Literary Angel Award were Yibo Kou, Head of the Art Department of the Organizing Committee, and Esther Zhang, Head of Operations.

The Outstanding Contribution Award was presented to Eno Q, President of Dreamood Pictures, screenwriter, producer, and Vice Chair of the Organizing Committee.

In a heartwarming moment, U.S. Congresswoman Dr. Judy Chu presented the Outstanding Contribution Award to Dr. Maria Lixian Gee-Schweiger, President of the Chinese Writers Association of America and Chair of the Organizing Committee, in recognition of her remarkable literary achievements.

In her commendation, Dr. Chu wrote:

“Dr. Maria Lixian Gee-Schweiger, President of the Chinese Writers Association of America (CWAA), is hereby recognized for her outstanding efforts and accomplishments in supporting media arts and celebrating Chinese American cultural heritage. Your leadership and dedication are deeply appreciated and highly commendable. Congratulations on all your achievements, and may your future endeavors continue to shine brightly.”

Celebrating Literature, Envisioning the Future

At the conclusion of the ceremony, Dr. Maria Lixian Gee-Schweiger, Chair of the Organizing Committee, expressed her heartfelt sentiments:

“Although this year’s competition is coming to a close, its historical mission will continue. We plan to publish the synopses of the winning works on the CWAA website and on the World Micro-Short Drama Research Association’s platform, in the hope of drawing attention from film and television companies interested in producing micro-short drama series. We look forward to seeing more of these award-winning works brought to life on screen.”

The ceremony lasted one hour and forty-five minutes, exceeding its scheduled time, yet the enthusiasm of nearly one hundred participants — including guests, judges, committee members, advisors, award recipients, and CWAA members — never waned. The event concluded amid warm congratulations and heartfelt wishes.

Although the awards were presented virtually via Zoom, without red carpets or flashing cameras, the ceremony integrated pre-recorded on-site footage, creating a unique blend of online and offline experiences that offered a refreshing sense of connection and celebration.。

Winners’ Remarks and Messages of Congratulations

First Prize – Zhang Ci:

“I am deeply honored to receive the First Prize at the inaugural CWAA Cup. This award establishes my position in the micro-short drama scene. With recognition comes responsibility, and I hope my future works will bring more creativity and innovation to this field. This is the best New Year gift of 2025. I greatly admire the judges’ and organizers’ meticulous efforts. Congratulations to the other winners, and I wish the competition continued success. Happy New Year to everyone!”

Second Prize – Zhong Mei:

“I am very grateful to the judges and the Organizing Committee for awarding me this honor. This recognition belongs not only to me but also to the Chinese Writers Association of America. Congratulations to all other winners, and I hope everyone continues to achieve greater success in the micro-short drama field. I wish the CWAA Cup continues to thrive!”

Third Prize – Guo Xiaojuan:

“I am honored to receive the Third Prize at the inaugural global CWAA Cup. As a first-time writer of suspense micro-short dramas, winning this award was a wonderful surprise — the best New Year gift of 2025. I am deeply moved by the judges’ and organizers’ professionalism and dedication. Congratulations to all other winners, and may the competition flourish. Happy New Year!”

Third Prize – Weng Yishui:

“Grateful for everything! Congratulations on a successful event! Wishing everyone happiness, peace, joy, and good health!”

Third Prize – Chen Xin:

“I was pleasantly surprised and deeply honored to receive this award. I realize that compared to more experienced and accomplished winners, I still have much to learn. I am grateful for the opportunity provided by the competition and hope the CWAA Cup continues to grow, enabling everyone to achieve even greater accomplishments.”

Excellence Award – Ge Hangsong:

“I am honored to receive this award. Thanks to the judges, CWAA, and Dreamood Pictures for organizing this competition. This recognition encourages me to continue creating English-language screenplays. I hope that all winning works will soon be produced and reach audiences.”

Excellence Award – Shen Yimeng:

“I am grateful for this honor. It not only validates my creative work but also encourages the integration of film and micro-short dramas. As a film creator, I believe every new form contains unique narrative power. While micro-short dramas have become a cultural trend in the U.S., they are still emerging in Europe. I look forward to exploring the possibilities and depth of this form, sharing it with a broader audience. Thank you for your support and trust.”

Excellence Award – Sun Bo:

“In recent years, micro-short dramas have become extremely popular. Initially, as a traditional screenwriter, I hadn’t watched one and even looked down on the format. However, on June 8 last year, I attended a CWAA-hosted film forum as a representative of one of the supporting organizations. Ms. Eno’s two-hour presentation completely changed my perception — I realized the format is fast-paced, full of twists, and highly engaging. Inspired, I created my first micro-short drama, Mom, I’m Home, and I am deeply grateful to the judges for awarding me the Excellence Prize. Without this competition, I would not have ventured into micro-short dramas. Many thanks to Dr. Gee-Schweiger and the Organizing Committee for their hard work!”

Excellence Award – Xin Man:

“The award touches the heart and inspires the spirit. I am grateful to CWAA for walking this journey with dreams, bringing creativity to distant horizons.”

Creativity Award – Jia Wenting:

“I sincerely thank CWAA for this opportunity. Through professional skills, literary expression, and storytelling, creativity brings color and together we create a fresh audiovisual experience, crafting a beautiful canvas for micro-short dramas.”

Finalist – Shen Linzhao:

“Though early in my career, this recognition is inspiring. Thank you to the judges and Organizing Committee.”

Finalist – Wang Ye’an:

“Even as a finalist, this encouragement is invaluable for my first attempt at writing a screenplay. Congratulations to all winners!”

Advisors’ Remarks:

Chen Ruilin:

“Congratulations to all winners of the inaugural CWAA Cup! Thanks to CWAA for organizing this literary and film event, bringing together writers from around the world to promote the integration of Chinese literature and film. Excellent literary works combined with film generate tremendous impact. We encourage writers worldwide to provide outstanding works for Chinese film and fulfill their literary mission.”

Zheng Nanchuan:

“I am deeply moved witnessing this global event. Organizing such a large-scale competition for a non-profit is extremely challenging. Without Dr. Gee-Schweiger’s strong literary background, passion, social commitment, and the trust and unity of the organizers, this event would not have been possible. This competition sets a new standard for overseas Chinese literary initiatives and micro-literature competitions. Truly commendable.”

Li Shanglong:

“Although now working in AI, my identity as a writer remains central. Writing allows me to find calm and transcend time and space. Thanks to CWAA for empowering more writers through this platform.”

Meng Na, President of the European Chinese New Immigrant Writers Association:

“Under Dr. Gee-Schweiger’s leadership and the joint efforts of literary organizations worldwide, this award ceremony was a resounding success. It inspires writers and screenwriters globally to contribute to micro-short drama literature, serving as a beacon guiding creators and filmmakers.”

Hua Chun, Founding President of the Japanese Chinese Women Writers Association:

“Congratulations on the successful completion of the inaugural global micro-short drama screenplay awards! Following this first edition, many more will participate. Congratulations to all winners, including Zhang Ci, who has honed her skills in film and is truly deserving.”

Huang Zongzhi, Honorary President, Los Angeles Chinese Writers Association:

“Warm congratulations to all winners of the inaugural CWAA global micro-short drama screenplay awards, and especially to Zhang Ci for winning First Prize! Thanks to CWAA for organizing today’s literary and film celebration.”

Dong Yan, President, Quebec Chinese Writers Association:

“Congratulations to Dr. Gee-Schweiger and the team for the successful conclusion of the CWAA Cup Global Micro-Short Drama Screenplay Awards!”

Zhang Haoyin, Chairwoman & CEO, Longteng Cultural Development Foundation:

“It was a pleasure to attend the awards ceremony. I am delighted to see so many excellent original works presented at the CWAA Cup, reflecting the spirit of IP originality. I look forward to seeing the winners create more outstanding works, and hope to see them at the 3rd International Chinese Original IP Film Festival in New York.”

Qi Hongxiang, President, Hongxiang Film Production Company:

“Congratulations to all winners, and thanks to CWAA for the invitation. Thanks to the authors for their dedication and to the judges for their fair evaluation. I believe the micro-short drama platform will continue to grow and thrive.”

Lin Meijun, President, South American Chinese Writers Association:

“Congratulations on the successful completion of the global micro-short drama awards and CWAA annual meeting!”

Yuan Ruizhen, Special Guest and Permanent CWAA Member:

“The ceremony was elegant and grand, perfectly showcasing the competition. It aligns with contemporary trends and aesthetics, attracting writers worldwide and producing outstanding works that enrich people’s cultural lives. Under Dr. Gee-Schweiger’s leadership, CWAA will continue to foster East-West cultural integration, promote Chinese language and literature, and expand opportunities for members globally.”

To: Dr. Maria Lixian Gee-Schweiger, Chair, Chinese Writers Association of America (CWAA)
From: Ms. Cao Xiaodong, Internationally Acclaimed Film Producer, Chairwoman of Firehawk Pictures, and Chair of the Jury for the 2nd International Chinese Original IP Film Festival

Dear Chair Dr. Gee-Schweiger,

I am truly honored to have been invited by you to participate in the awards ceremony of the inaugural Global Micro-Short Drama Screenplay Competition. It was undoubtedly a groundbreaking and inspiring industry event, showcasing remarkable charm and significance from start to finish.

From the very beginning of the preparation, I could clearly see the dedication and tireless efforts of you and your team. Under your outstanding leadership, the competition attracted enthusiastic participation from creators around the world. A diverse range of high-quality scripts, featuring various genres and styles, poured in, vividly demonstrating the vitality and immense potential of this emerging art form — the micro-short drama.

The awards ceremony itself was meticulously designed, presenting an engaging and multifaceted program. The in-depth exploration of the winning works and their creators allowed us to fully appreciate the unique charm of these outstanding scripts, while also providing a clear vision of the broad prospects for the micro-short drama industry. These impressive achievements would not have been possible without your foresight and relentless dedication.

As a film producer, I am particularly excited. The carefully selected winning scripts are truly gems — not only rich in literary quality but also cleverly structured, offering tremendous potential for adaptation into visual media. I eagerly look forward to discovering opportunities to bring these stories to the screen. I am confident that, with these exceptional scripts and professional audiovisual production, audiences will experience an entirely new cinematic and viewing pleasure, injecting fresh vitality into the industry.

The resounding success of this ceremony is a brilliant testament to the hard work and vision of you and your team. It has created a top-tier platform for global exchange and showcasing within the micro-short drama community, inspiring more creators to contribute and pushing the industry toward new heights.

I look forward to continuing to witness more achievements under your leadership and to collaborating in advancing the global micro-short drama industry.

Once again, please accept my most sincere and enthusiastic congratulations!

Sincerely,
Cao Xiaodong
(Submitted on behalf of the Chinese Writers Association of America)

颁奖典礼实况录像，欢迎收看：

https://youtu.be/Fh3xXwWUoT0 （美国）

https://v.douyin.com/ifxVbNh6 （上）https://v.douyin.com/ifxVTcoS （下）中国

Maria Gee-Schweiger 7/30/24 Maria Gee-Schweiger 7/30/24

“Come Into the Bowl! Halfway Through the Competition, Prizes and Investors Are Waiting!”

First “Chinese Writers Association in the U.S. Cup” Global Micro-Series Scriptwriting Competition Reaches Midpoint

July 30, 2024

The inaugural “Chinese Writers Association in the U.S. Cup” Global Micro-Series Scriptwriting Competition has officially reached the halfway point. While many entries have already been submitted, the organizing committee has received numerous inquiries from prospective participants about submission rules and procedures. To clarify the details, our reporter Fanyu conducted an online interview with Dr. Li Xian, Chairman of the Organizing Committee, answering the most frequently asked questions.

Why Launch This Competition?

Dr. Li explained that the rapid growth of the internet, short videos, and portable HD devices has made micro-series a rising phenomenon in global film and television culture. “This competition aims to promote innovation in micro-series while giving writers a platform to showcase their talents,” he said. Organized by the Chinese Writers Association in the U.S., hosted by Dreamood Pictures, and co-organized by the World Chinese Microfiction Research Association, the event seeks to discover outstanding scripts and compile winning entries into an anthology titled Winning Works of the First ‘Chinese Writers Association in the U.S. Cup’ Global Micro-Series Scriptwriting Competition. Dr. Li also emphasized that the initiative hopes to support the production of winning scripts into fully realized micro-series.

What Makes This Competition Unique?

According to Dr. Li, the competition stands out in three key ways:

It focuses specifically on “micro-series for film and television,” defining the type of eligible submissions.
It emphasizes the “literary script” as the required format.
Unlike many other competitions, it offers cash prizes and invites Hollywood investors to review submissions and potentially invest in production.

“Micro-series production shifts the focus from directors to writers, highlighting the scriptwriter’s central role,” Dr. Li noted. “Having been a full-time TV drama writer in China, I have a deep passion for scripts. Launching this competition on a global scale reflects that passion.”

Prizes and Investment Opportunities

The competition will award:

First Prize: $1,000 (1 winner)
Second Prize: $500 each (2 winners)
Third Prize: $300 each (5 winners)
Special Awards: Best Newcomer, Best Creativity, and Excellence Awards (20 recipients, certificates only)

Dr. Li clarified that submission of entries implies consent to allow the organizers to publish, promote, and disseminate works online. Winning works may also be translated into other languages. If a script is adopted by a production company, authors negotiate fees directly with the company; prizes from the competition are independent of any production contracts.

Themes and Eligibility

Participants may choose from five themes reflecting current micro-series trends:

Triumphant Comeback: Overcoming adversity and achieving success.
Personal Growth: From ordinary to extraordinary through character development.
Romantic Love: Exploring the complexity of love through passion and enduring relationships.
Feminism: Characters pursuing equality, freedom, and empowerment.
Cultural Clash: Depicting cross-cultural encounters, conflicts, and reconciliation.

The competition is open globally, with submissions accepted in Chinese or English. More than 30 literary organizations worldwide support the event, including associations in North America, Europe, Asia, and Oceania.

Ensuring Quality and Authority

To guarantee fairness, top industry experts have been appointed as advisors, including acclaimed writers, professors, producers, and executives from the film and television sector. Notable advisors include Ye Xin, Cao Wenxuan, Lisa Yang, and Liu Siran. Their involvement ensures the competition maintains the highest standards of credibility and authority.

Submission Requirements and Deadline

Entries must be original and include:

A synopsis under 2,000 words
Character bios
Scripts for 20 episodes

Each episode should run 1–2 minutes, with 60–80 episodes in total, not exceeding 90 minutes. Submissions are accepted from May 15 to August 30, 2024. Dr. Li encouraged aspiring writers: “This is the chance to turn your scripts into micro-series, produce them, and share them with the world. As M&M’s says: ‘Come into the bowl!’”

How to Submit

Participants can submit entries via the QR code for the competition and send all documents to: support@chinesewritersusa.org

Maria Gee-Schweiger 6/8/24 Maria Gee-Schweiger 6/8/24

Brief News

Rising with the Times: Unveiling the Secrets Behind the Popularity of Micro-Series

To support the success of the competition and to clarify the concept of micro-series scriptwriting for a wider audience, the Chinese Writers Association in the U.S. hosted a 2024 Film & TV Forum featuring a keynote by Eno Q, permanent member of the association, screenwriter, producer, and Vice Chair of the Competition Organizing Committee as well as President of Dreamood Pictures. Her lecture, titled “Decoding the Creative Secrets of the ‘Chinese Writers Association in the U.S. Cup’ Competition: Insights into Micro-Series Scriptwriting”, provided a comprehensive guide to creating micro-series.

The forum was moderated by Mr. Ren Guoping, member of the Association’s Arts Committee for Fiction and Film & TV, with technical support from Dr. Shi Deliang. Dr. Li Xian, Chairman of the Chinese Writers Association in the U.S., opened the forum with a concise overview of the significance of both the forum and the global micro-series scriptwriting competition.

Eno Q captivated the audience with her energetic and articulate presentation, covering six key areas:

Genres and Themes of Micro-Series
Business Models for Micro-Series
Script Structure for an 80-Episode Micro-Series
Plot Twists in Single Episodes
Character Development in Micro-Series
Localization of Micro-Series for U.S. Audiences

She shared her years of experience in micro-series scriptwriting, production, and industry insights, offering forward-looking perspectives on the development of the micro-series market.

Particularly noteworthy were her detailed explanations on scriptwriting techniques such as story progression, character design, and character arcs, as well as series-level strategies including cultural adaptation and adaptation strategies.

The lecture lasted over two hours, with active participation from the audience, who asked questions and discussed creative challenges. Eno Q answered each question thoroughly, demonstrating both her expertise and her generosity in sharing knowledge.

Her professional approach and candid sharing of creative strategies received unanimous praise from participants.

Watch the Forum Video:

YouTube (U.S.)
https://www.bilibili.com/video/BV1Ufg4eCEva/?vd_source=529e269d7cc6736762dc5717465ee641

Maria Gee-Schweiger 5/10/24 Maria Gee-Schweiger 5/10/24

Rising with the Times: Unveiling the Secrets Behind the Popularity of Micro-Series

On June 8, 2024, at 5:00 PM PST, the Chinese Writers Association in the U.S. held its 2024 Film & TV Forum on ZOOM, themed “Decoding the Creative Secrets of Micro-Series: Insights from the ‘Chinese Writers Association in the U.S. Cup’ Competition”.

In the past two years, with the rise of internet short videos, micro-series—a new format emerging on social video platforms—have become immensely popular.

To promote innovation in micro-series and provide literature enthusiasts with a platform to showcase their talents, the first Global Micro-Series Scriptwriting Competition (“Chinese Writers Association in the U.S. Cup”), jointly organized by the Chinese Writers Association in the U.S., Dreamood Pictures, and the World Chinese Microfiction Research Association, began accepting submissions on May 15, 2024.

The competition features five thematic categories:

Triumphant Comeback: Stories of setbacks and adversity, rebirth and triumph. Protagonists rise like a phoenix even in the darkest moments.
Personal Growth: Journeys from ordinary to extraordinary, achieving value and recognition through personal transformation.
Romantic Love: Exploring the complexities of love through passionate first encounters, lasting relationships, tacit understanding, and steadfast commitment.
Feminism: Characters break free from constraints, pursue equality and freedom, and showcase female empowerment.
Cultural Clash: Depicting interactions between people from different cultural backgrounds, exploring conflicts and reconciliation, and highlighting the beauty of multiculturalism.

The submission period runs from May 15 to August 30, 2024, with preliminary, secondary, and final evaluations. Winners will be announced by the end of 2024.

Winning scripts will be recommended to film and television production companies, and an anthology titled “Winning Works of the First ‘Chinese Writers Association in the U.S. Cup’ Global Micro-Series Scriptwriting Competition” will be published, featuring the award-winning entries.

To further promote the competition and clarify the principles of micro-series scriptwriting, the association invited Eno Q, permanent member of the association, screenwriter and producer, and Vice Chair of the competition organizing committee as well as President of Dreamood Pictures, to deliver a keynote lecture. Her presentation, “Decoding the Creative Secrets of the ‘Chinese Writers Association in the U.S. Cup’ Competition: Insights into Micro-Series Scriptwriting”, shared her experience and creative insights.

The forum was moderated by Ren Guoping, member of the Arts Committee for Fiction and Film & TV, with technical support provided by Dr. Shi Deliang.

At the opening, Dr. Li Xian, Chairman of the Chinese Writers Association in the U.S., provided a concise introduction on the significance of the forum and the competition. Eno Q then delivered a lively, fast-paced, and meticulously organized lecture covering six key aspects of micro-series creation:

Genres and Themes of Micro-Series
Business Models for Micro-Series
Script Structure for an 80-Episode Series
Plot Twists in Single Episodes
Character Development in Micro-Series
Localization of Micro-Series for U.S. Audiences

She shared her years of experience in scriptwriting and production, as well as forward-looking insights on industry trends.

Watch the forum video:

YouTube (U.S.)
https://www.bilibili.com/video/BV1Ufg4eCEva/?vd_source=529e269d7cc6736762dc5717465ee641

Maria Gee-Schweiger 5/10/24 Maria Gee-Schweiger 5/10/24

First “Chinese Writers Association in the U.S. Cup” Global Micro-Series Script writing Competition

Overview

With the rapid development of the internet and short videos, along with the widespread availability of portable HD devices, micro-series have emerged as a new phenomenon, gradually forming a distinct cultural and creative industry. To promote innovation in micro-series and provide a platform for writers to showcase their talents, the Chinese Writers Association in the U.S. organizes the first “Chinese Writers Association in the U.S. Cup” Global Micro-Series Scriptwriting Competition, hosted by Dreamood Pictures and co-organized by the World Chinese Microfiction Research Association.

This competition aims to discover and showcase outstanding micro-series scripts, with winning works compiled and published in the anthology “Winning Works of the First ‘Chinese Writers Association in the U.S. Cup’ Global Micro-Series Scriptwriting Competition”. It also hopes to facilitate the production of selected scripts into actual micro-series.

Competition Details

1. Name:
First “Chinese Writers Association in the U.S. Cup” Global Micro-Series Scriptwriting Competition

2. Themes (choose one):

Triumphant Comeback: Stories of setbacks and adversity, rebirth and triumph. The protagonist fights fate, rising like a phoenix even in the darkest moments.
Personal Growth: Journeys from ordinary to extraordinary, achieving value and recognition through personal transformation.
Romantic Love: Exploring the complexities of love through passionate first encounters, lasting relationships, tacit understanding, and steadfast commitment.
Feminism: Protagonists break free from constraints, pursue equality and freedom, and showcase female empowerment.
Cultural Clash: Depicting interactions between people from different cultural backgrounds, exploring conflict and reconciliation, and highlighting the beauty of multiculturalism.

3. Scope:
Open to submissions worldwide. Entries in Chinese or English are accepted.

4. Organizer:
Chinese Writers Association in the U.S.

5. Host:
Dreamood Pictures (U.S.)

6. Co-Organizers:

World Micro-Series Research Association
World Chinese Microfiction Research Association

7. Chief Advisors:

Ye Xin: Renowned writer, former Vice Chairman of the China Writers Association, screenwriter for TV dramas Debts of Sin and Time Wasted.
Lisa Yang (Yang Huasha): Member of the Hollywood Women’s Film Association International Executive Committee, screenwriter, producer, Executive Producer of Hollywood Oscar Team’s gold production team.

8. Advisors:

Cao Wenxuan: Professor at Peking University, doctoral advisor, film screenwriter, International Hans Christian Andersen Award winner.
Ling Dingnian: President of the World Chinese Microfiction Research Association, guest professor at the Asian Microfilm Academy, Deputy Editor of Writers Network.
Zheng Zi: Executive Vice President of the Asian Microfilm Academy, Executive Director of the Chinese Arts and Film Center, Vice Chair of Short Film & Micro Video Committee, China Film Editing Society.
Chen Ruilin: Overseas Chinese critic, President of the European & American Film & TV Association.
Zheng Nanchuan: President of the World Sinology Association, Canada.
Wei Haijun: Founding Partner of Daguan Capital, former GM of Cheetah Mobile Investment, Head of Investment at Shanda Innovation Institute, TMT Investment Director at Tongchuang Weiye.
Zhang Zefan: Producer of TV series Origin, Producer of Sunset.
Liu Siran: Acclaimed screenwriter, notable works include The Qingming Shanghe Map Code, Mi Xiaoqian Goes to School, You Are My Sweetest Secret.

9. Competition Committee:

Chairman: Li Xian – President of the Chinese Writers Association in the U.S.
Vice Chairs:
- Eno Q – President of Dreamood Pictures (U.S.)
- Wen Hao – Vice President of the Chinese Writers Association in the U.S.

10. Submission Period:
May 15, 2024 – September 30, 2024

11. Submission Requirements:

Must be original; any plagiarism is prohibited. Authors are solely responsible for any legal disputes.
Each episode should run 1–2 minutes, with 60–80 episodes in total; overall duration must not exceed 90 minutes.
Submit a story synopsis (under 2,000 words) and scripts for 20 episodes.
Submission form must be completed via the QR code for the competition, and documents sent to: support@chinesewritersusa.org